A Ticket in Tatts (1934 film)
| A Ticket in Tatts | |
|---|---|
| Directed by | F. W. Thring |
| Produced by | F. W. Thring |
| Written by |
George Wallace John P. McLeod |
| Starring | George Wallace |
| Cinematography | Arthur Higgins |
| Edited by | W. Albrecht |
|
Production
company |
|
| Distributed by | Universal Pictures |
|
Release date
|
13 January 1934 |
|
Running time
|
88 mins |
| Country | Australia |
| Language | English |
| Box office | £18,000 |
A Ticket in Tatts is a 1934 musical comedy film starring popular stage comedian George Wallace as an accident-prone stablehand. It was the last of three movies Wallace made for F. W. Thring.
After being fired from his job at a grocer, George, gets a job as a stableboy at a local stud farm run by the Fleming family. He befriends the horse Hotspur who is a favourite to win the Melbourne Cup, and develops a strong whistle which is used to make the horse run fast. Gangsters working for the villainous Coyle are determined to kidnap Hotspur but George figures it out and one is captured. To find out more information, George becomes a waiter at a cabaret where several ballet and vaudeville numbers are performed.
Dorothy Fleming is in love with author Harvey Walls, but is pursued by Brian Winters, the owner of rival horse Surefoot. Dorothy promises to marry Winters if Surefoot defeats Hotspur.
Coyle arranges for Peters, the Fleming's jockey, to be kidnapped and replaced with his jockey, Slade, with the aim of making sure Hotspur loses. Slade rides the horse and keeps Hotspur back in the field. However George uses his whistle to help the horse win. Dorothy and Harvey are united, as are George and Dorothy's maid.
The film marked the first appearance in an Australian feature by the actor and writer Frank Harvey.
The script was likely influenced by the real-life attempt of gangsters to kill the race horse Phar Lap prior to the Melbourne Cup.
Shooting began in July 1933.
Unlike many of Thring's films, much of the movie was shot on location, at a stuff dark near Melbourne, at Flemington Racecourse and the grounds of a Melbourne villa. Studio scenes were still shot at Efftee's studio at His Majesty's Theatre but it was the last time Thring used it – after the film he moved operations to the former Wattle Path Dance Palais at St Kilda which Efftee had bought for ₤23,000.
The film was also known as High Stakes and released with the short Dear Old London. It proved reasonably popular at the box office, running for six weeks at a Melbourne cinema. Thring complained about difficulties of securing a decent release in Sydney.
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