A Separate Peace (film)
| A Separate Peace | |
|---|---|
| Directed by | Larry Peerce |
| Produced by |
Robert A. Goldston Otto Plaschkes |
| Written by | John Knowles and Fred Segal |
| Based on | A Separate Peace by John Knowles |
| Starring |
John Heyl Parker Stevenson |
| Narrated by | Parker Stevenson |
| Music by | Charles Fox |
| Cinematography | Frank Stanley |
| Edited by | John C. Howard |
| Distributed by | Paramount Pictures |
|
Release date
|
1972 |
|
Running time
|
104 min. |
| Country | United Kingdom |
| Language | English |
| Box office | $1,250,000 (US/ Canada rentals) |
A Separate Peace is a 1972 British drama film directed by Larry Peerce. It was adapted by John Knowles and Fred Segal (brother of actor George), from the former's best-selling novel of the same name. It starred Parker Stevenson, who would later rise to fame as Frank Hardy on The Hardy Boys/Nancy Drew Mysteries, and as "Craig Pomeroy" on Baywatch.
Set in a school called Devon, it follows the friendships of two young teens, Finn and Gene. Both of them share both good times and bad times as they attempt to go through the teen process towards adulthood, along with studying in school: they also consider being drafted, if that should come. The film is set in 1943, during World War II, and is told by an older Gene. The film was shot at the Phillips Exeter Academy, where the real John Knowles went to school.
Vincent Canby of the New York Times was impressed: "Larry Peerce's film version of A Separate Peace is so good and true in small, subsidiary details of costume, music, weather and such that the ultimate banality of what it's all about is just that much more apparent, and just that much more difficult to accept without seeming unnecessarily ill-tempered. ...Peerce is very good with his almost completely nonprofessional cast, especially with John Heyl, a stocky, handsome young man whose face reflects the profound cheerfulness of someone who' will never grow old. Parker Stevenson has the more difficult role (perhaps an impossible one) and I'm not sure I'd have had much idea of what was going on in his mind had I not ready the book. As he displayed in Goodbye, Columbus, Peerce has a positive talent not only for period detail, but also for knowing when and how to cut around and away from the performances of non-actors so that Heyl, Stevenson and a large proportion of the Exeter student body manage to come up trumps."
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