A Prophet
| A Prophet | |
|---|---|
Theatrical release poster
|
|
| Directed by | Jacques Audiard |
| Produced by | |
| Written by |
|
| Starring | |
| Music by | Alexandre Desplat |
| Cinematography | Stéphane Fontaine |
| Edited by | Juliette Welfling |
| Distributed by | UGC Distribution |
|
Release date
|
|
|
Running time
|
155 minutes |
| Country |
|
| Language |
|
| Budget | $13 million |
| Box office | $17.9 million |
A Prophet (French: Un prophète) is a 2009 French prison drama-crime film directed by Jacques Audiard from a screenplay he co-wrote with Thomas Bidegain, Abdel Raouf Dafri and Nicolas Peufaillit. The film stars Tahar Rahim in the title role as an imprisoned petty criminal of Algerian origins who rises in the inmate hierarchy, becoming an assassin and drug trafficker as he initiates himself into the Corsican and then Muslim subcultures.
For Audiard, the film aims at "creating icons, images for people who don't have images in movies, like the Arabs in France," though he also had stated that the film "has nothing to do with his vision of society," and is a work of fiction.
The film won the BAFTA for Best Film Not in the English Language and nine Césars (including Best Film, Director, Actor and Supporting Actor), in addition to prizes at both the 2009 Cannes Film Festival and the London Film Festival. It was nominated for the Best Foreign Language Film at the 82nd Academy Awards.
Malik El Djebena, a 19-year-old French youth of Algerian descent, is sentenced to six years in prison for attacking police officers. Alone and illiterate upon his arrival, he falls under the sway of Corsican mobsters, led by César Luciani, who enforces a brutal rule.
The prison is divided between two main factions: the Corsicans and the Muslims. Malik keeps to himself. When Luciani forces him to be the unwilling assassin of Reyeb, a Muslim witness in a trial, Malik gains the protection of the Corsicans in spite of his Arab origin. Malik serves as a low-level servant to the Corsicans, who treat him with disdain. All the while, he is haunted by visions of the murdered Reyeb. When the bulk of the Corsicans are transferred or released, Luciani is forced to give Malik more responsibility. Having secretly learned Corsican, Malik acts as Luciani's eyes and ears in the prison. When Malik earns the privilege of day-long furloughs outside the prison, Luciani relies on him to conduct his criminal business outside.
...
Wikipedia