2 Gentlemen in Verona
| 2 Gentlemen in Verona | ||||
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| Live album by Chris Cutler and Fred Frith | ||||
| Released | 4 April 2000 | |||
| Recorded | 16 April 1999 | |||
| Venue | Interzona, Verona, Italy | |||
| Genre | Experimental music, free improvisation | |||
| Length | 50:02 | |||
| Label | Recommended (UK) | |||
| Chris Cutler and Fred Frith chronology | ||||
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| Professional ratings | |
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| Review scores | |
| Source | Rating |
| All About Jazz |   |
| AllMusic | |
2 Gentlemen in Verona is a 2000 live album of improvised experimental music by Chris Cutler and Fred Frith. It was recorded Verona, Italy on 16 April 1999 and released by Recommended Records in April 2000. It was Frith and Cutler's third collaborative album.
The album title was derived from Shakespeare's play The Two Gentlemen of Verona, and the track names were taken from the play's act and scene titles.
In a review of 2 Gentlemen in Verona at AllMusic, Thom Jurek described Cutler and Frith's performance as "a joyously brash and boisterous cacophony", and labelled the album "one of the greatest live duet improv recordings ever". Writing in All About Jazz, Glenn Astarita called Cutler and Frith's set in Verona a "fascinating live exhibition" of "multi-textured pastiches ... abstract rhythms, otherworldly effects and mind-bending dialogue". Astarita rated the album "Highly recommended".
In The Washington Post Mike Joyce described the album as a "curious and quixotic excursion into freely improvised music", adding that despite the "odd sounds and surprising tangents", the duo remains on a "common wavelength, anticipating each other's moods and moves with quick speed and wit". Joyce wrote that anyone who has followed the career of Cutler and Frith will welcome this recording, but warned that the uninitiated may find it "unendurably indulgent".
David Ashcraft was more critical of the album. In a review in Exposé he wrote that this recording is "strictly for the hardcore fan of improvised exploration". He said that while it "showcases the improvisational talents" of Cutler and Frith, it is not without "hits and misses". Ashcraft felt that between "sublime moments of melody and emotion", there is "plenty of meandering and some dissonant sounds".
All music by Chris Cutler and Fred Frith.
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