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2D to 3D conversion

2D to 3D conversion
Process type Digital
Industrial sector(s) Film and television
Main technologies or sub-processes Computer software
Product(s) Movies, television shows

2D to 3D video conversion (also called 2D to stereo 3D conversion and stereo conversion) is the process of transforming 2D ("flat") film to 3D form, which in almost all cases is stereo, so it is the process of creating imagery for each eye from one 2D image.

2D-to-3D conversion adds the binocular disparity depth cue to digital images perceived by the brain, thus, if done properly, greatly improving the immersive effect while viewing stereo video in comparison to 2D video. However, in order to be successful, the conversion should be done with sufficient accuracy and correctness: the quality of the original 2D images should not deteriorate, and the introduced disparity cue should not contradict to other cues used by the brain for depth perception. If done properly and thoroughly, the conversion produces stereo video of similar quality to "native" stereo video which is shot in stereo and accurately adjusted and aligned in post-production.

Two approaches to stereo conversion can be loosely defined: quality semiautomatic conversion for cinema and high quality 3DTV, and low-quality automatic conversion for cheap 3DTV, VOD and similar applications.

Computer animated 2D films made with 3D models can be re-rendered in stereoscopic 3D by adding a second virtual camera if the original data is still available. This is technically not a conversion; therefore, such re-rendered films have the same quality as films originally produced in stereoscopic 3D. Examples of this technique include the re-release of Toy Story and Toy Story 2. Revisiting the original computer data for the two films took four months, as well as an additional six months to add the 3-D. However, not all CGI films are re-rendered for the 3D re-release because of the costs, time required, lack of skilled resources or missing computer data.

With the increase of films released in 3D, 2D to 3D conversion has become more common. The majority of non-CGI stereo 3D blockbusters are converted fully or at least partially from 2D footage. Even Avatar contains several scenes shot in 2D and converted to stereo in post-production. The reasons for shooting in 2D instead of stereo are financial, technical and sometimes artistic:


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