1950s in film

The decade of the 1950s in film involved many significant films.

Films of the 1950s were of a wide variety. As a result of television, the studios and companies sought to put audiences back in theaters. They used more techniques in presenting their films through widescreen and big-approach methods, such as Cinemascope, VistaVision, and Cinerama as well as gimmicks like 3-D film. Big production and spectacle films perfect for this gained popularity with the many historic and fantasy epics like The Robe, The Story of Robin Hood and His Merrie Men, The Ten Commandments (1956), The Seventh Voyage of Sinbad, and Ben-Hur (1959). Other big-scoped films thrived internationally, too, such as Russian fantasy director Aleksandr Ptushko's mythological epics Sadko, Ilya Muromets, and Sampo, and Japanese director Akira Kurosawa's historic Seven Samurai, Throne of Blood and The Hidden Fortress. Toshiro Mifune, who starred in those Kurosawa films, also starred in the color spectacle Samurai Trilogy.

This spectacle approach, coupled with Cold War paranoia, a renewed interest in science from the atomic bomb, as well as increased interest in the mysteries of outer space and other forteana, lent itself well to what this film decade is best known for, science fiction. The science fiction genre began its golden age during this decade with such notable films as The Day the Earth Stood Still, The Thing from Another World, The War of the Worlds, It Came from Outer Space, Creature from the Black Lagoon, Them!, This Island Earth, Earth vs. the Flying Saucers, and Forbidden Planet (1956). There were also Earth-based subjects, such as 20,000 Leagues Under the Sea (1954) and When Worlds Collide (1951). Companies such as American International Pictures, Japan's Toho, and Britain's Hammer Film Productions were created to solely produce films of the fantastique genres.