14-sai no Haha: Aisuru tame ni Umaretekita
| 14-sai no Haha: Aisuru tame ni Umaretekita | |
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| Genre | Family |
| Written by | Yumiko Inoue |
| Directed by | Toya Sato, Noriyoshi Sakuma |
| Starring | Mirai Shida |
| Theme music composer | Kan Sawada, Yu Takami |
| Ending theme | Shirushi |
| Composer(s) | Kazutoshi Sakurai |
| Country of origin | Japan |
| Original language(s) | Japanese |
| No. of seasons | 1 |
| No. of episodes | 11 (list of episodes) |
| Production | |
| Producer(s) | Ken Murase, Chizu Asai |
| Running time | 54 minutes |
| Release | |
| Original network | NTV |
| Audio format | Stereophonic |
| Original release | October 11 – December 20, 2006 |
| External links | |
| Official website | |
14-sai no Haha: Aisuru tame ni Umaretekita (14才の母 ～愛するために生まれてきた～?, lit. "14-year-old Mother: Born for Love's Sake") is a Japanese television drama broadcast on NTV. It was aired from October 11, 2006 until December 20 of the same year.
Miki Ichinose is a 14-year-old schoolgirl who is very outgoing and cheerful. She lives with her parents and younger brother. She is in a romantic relationship with Satoshi Kirino who is 15 years old. They keep their relationship a secret from their parents because Miki is young and Satoshi is expected to excel in school and get into a university so he can take over the family business by his overbearing mother. One night, after a date, they sneak into a treehouse and consummate their relationship. Soon after, Miki suspects that she is pregnant and steals a pregnancy test, which her mother later finds. She is taken to a doctor who confirms her pregnancy. Miki's parents are very upset and the doctor tells them that it will be too dangerous for Miki to carry a baby due to her small size. They arrange for her to have an abortion, but Miki is unsure what she should do. She and Satoshi meet later that night and she gathers the courage to confess her love to him, and he reciprocates. She then tells him that she is pregnant and, although understandably shocked, he takes the news well. However, his mother is furious when she learns of it and forbids the two from seeing each other. Under pressure from his mother, Satoshi tells Miki that an abortion is best. Devastated, she breaks up with him, saying losing his love hurts the most. On the day of the abortion, Miki decides she can't go through with it and runs away from the clinic, with her mother chasing after her. Miki breaks down and tells her mother that she wants to keep the baby. Afterwards, seeing Miki's pain and love for her unborn child, her parents vow to support her. Satoshi's mother is furious that Miki has chosen to keep the baby and offers money for an abortion, which the Ichinose family refuses.
Although deciding to focus on her pregnancy and how to give birth to a healthy baby, Miki remains grief-stricken over her breakup with Satoshi, who is also struggling to forget about her and their forthcoming child. To make matters worse, the Kirino family business begins to go bankrupt, which forces Satoshi and his mother to leave and go into hiding to avoid the press. Before they leave, Miki and her mother meet with them. Miki tells Satoshi that she plans to raise the baby with her family's help and won't acknowledge his paternity because she wants him to continue going to school and have a successful future. However, this angers him, leading them to be estranged even more. Miki has to temporarily drop out of school because of her pregnancy and that the teachers believe it will be a bad influence to the other students. A reporter who has been tracking the Kirino family since they went into hiding and suspects that Satoshi is the father of Miki's child, begins to track her. Miki wonders if keeping the baby is the right choice for her due to all the changes that are affecting the lives of her family, friends, and her boyfriend's. Satoshi's mother becomes depressed and attempts suicide to end her misery in debt and humiliation, but he gets her help just in time. Miki's mother visits with them and asks Satoshi to see Miki and the baby one day.
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