1080i50

1080i (a.k.a. FHD and BT.709) is an abbreviation referring to a combination of frame resolution and scan type, used in high-definition television (HDTV) and high-definition video. The number "1080" refers to the number of horizontal lines on the screen. The "i" is an abbreviation for "interlaced"; this indicates that only the odd lines, then the even lines of each frame (each image called a video field) are drawn alternately, so that only half the number of actual image frames are used to produce video. A related display resolution is 1080p, which also has 1080 lines of resolution; the "p" refers to progressive scan, which indicates that the lines of resolution for each frame are "drawn" in on the screen sequence.

The term assumes a widescreen aspect ratio of 16:9 (a rectangular TV that is wider than it is tall), so the 1080 lines of vertical resolution implies 1920 columns of horizontal resolution, or 1920 pixels × 1080 lines. A 1920 pixels × 1080 lines screen has a total of 2.1 megapixels (2.1 million pixels) and a temporal resolution of 50 or 60 interlaced fields per second. This format is used in the SMPTE 292M standard.

The choice of 1080 lines originates with Charles Poynton, who in the early 1990s pushed for "square pixels" to be used in HD video formats.

Within the designation "1080i", the i stands for interlaced scan. A frame of 1080i video consists of two sequential fields of 1920 horizontal and 540 vertical pixels. The first field consists of all odd-numbered TV lines and the second all even numbered lines. Consequently, the horizontal lines of pixels in each field are captured and displayed with a one-line vertical gap between them, so the lines of the next field can be interlaced between them, resulting in 1080 total lines. 1080i differs from 1080p, where the p stands for progressive scan, where all lines in a frame are captured at the same time. In native or pure 1080i, the two fields of a frame correspond to different instants (points in time), so motion portrayal is good (50 or 60 motion phases/second). This is true for interlaced video in general and can be easily observed in still images taken of fast motion scenes. However, when 1080p material is captured at 25 or 30 frames/second, it is converted to 1080i at 50 or 60 fields/second, respectively, for processing or broadcasting. In this situation both fields in a frame do correspond to the same instant. The field-to-instant relation is somewhat more complex for the case of 1080p at 24 frames/second converted to 1080i at 60 fields/second.

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