The First Born

The First Born is a 1928 British silent drama film directed by Miles Mander and starring Mander, Madeleine Carroll and John Loder. It was made by Gainsborough Pictures at Elstree Studios. The film's sets were designed by the art director Wilfred Arnold.

The screenplay was also written by Mander in conjunction with Alma Reville. The First Born enjoys a good critical reputation, being seen as stylistically inventive and one of the best examples of a trend in British cinema in the last years of the silent era. This trend was towards a more mature, sophisticated and naturalistic presentation of dramatic material, eschewing the tendency in earlier silent films towards overly stagey and melodramatic acting styles involving wildly exaggerated gestures and facial expressions.

Would-be politician Sir Hugo Boycott (Mander) and his wife Madeleine (Carroll) have an unhappy marriage. Madeleine is aware that Hugo is a serial philanderer, and their problems are exacerbated when she fails to produce the heir he wants. After a particularly serious quarrel, Hugo storms off to North Africa and one of his mistresses. In his absence, Madeleine drifts around in London society where she is courted by Lord David Harbrough (John Loder). She rebuffs his advances, but finds him sympathetic as an individual and agrees that they should remain friends.

Madeleine learns that her manicurist is expecting a baby and is in a desperate state as she is unmarried and facing shame, the loss of her job and destitution. Madeleine offers to adopt the baby when it is born, which the manicurist gladly accepts. Hugo later returns from Africa and is delighted with the new son and heir which he assumes is his. Relations between the couple improve for a time, and Madeleine gives birth to her own baby. Hugo makes progress in his political ambitions and is invited to stand for parliament in an upcoming General Election. His political associates and potential constituents are charmed by Madeleine. It has not taken long however for him to revert to his womanising ways, and he becomes involved with the devious Nina (Ella Atherton).