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Cultural appropriation in the fashion industry
Cultural appropriation in the fashion industry
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Cultural appropriation is the adoption or use of the elements of one culture by members of another culture. Cultural appropriation may be perceived as controversial or harmful, notably when the cultural property of a minority group is used by members of the dominant culture without the consent of the members of the originating culture. This is seen as misappropriation and a violation of intellectual property rights. Often unavoidable when multiple cultures come together, cultural appropriation can include using other cultures' traditions, fashion, symbols, language, and cultural songs without permission. According to critics of the practice, cultural (mis)appropriation differs from acculturation, assimilation, or cultural exchange in that the "appropriation" or "misappropriation" refers to the adoption of these cultural elements in a colonial manner: elements are copied from a minority culture by members of a dominant culture, and these elements are used outside of their original cultural context—sometimes even against the expressly stated wishes of representatives of the originating culture.
Often, the original meaning of these cultural elements is lost or distorted, and such displays are often viewed as disrespectful by members of the originating culture, or even as a form of desecration. Cultural elements which may have deep meaning to the original culture may be reduced to "exotic" fashion by those from the dominant culture. Kjerstin Johnson has written that, when this is done, the imitator, "who does not experience that oppression is able to 'play', temporarily, an 'exotic' other, without experiencing any of the daily discriminations faced by other cultures."
Conversely, cultural exchange, which some authors also choose to call "appropriation," is viewed as inevitable and contributing to diversity and free expression. This view distinguishes outright theft of cultural artifacts or exotic stereotyping from more benign borrowing or appreciation. Cultural borrowing and cross-fertilization is seen by proponents as a generally positive thing, and as something which is usually done out of admiration of the cultures being imitated, with no intent to harm them.
- Aabikta Indian Dancers, Slidell, Louisiana.
- Coyote Night Dancers, Northern California
- Kaniengehaga Dance Team
- Kootaga Indian Dancers, Parkersburg, West Virginia
- Kossa Indian Dancers, Sulphur, Louisiana
- Kwahadi Dancers, Amarillo, Texas
- Lakota Dancers, Belvidere, Illinois
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Mic-O-Say Dancers, St. Joseph, Missouri includes nine teams:
- Crossed Arrows, Stewartsville, Missouri
- Five Rivers, Jefferson City, Missouri
- Kanza, Atchison, Kansas
- Lone Star, Dallas, Texas
- Ma-Has-Kah, Trenton, Missouri
- Maha, Omaha, Nebraska
- Otoe, Maryville, Missouri
- Robidoux, St. Joseph, Missouri
- White Shield, Kansas City, Missouri
- Paumanauke Dance Team, Amityville, New York
- Sahawe Indian Dancers, Uvalde, Texas
- Tsoyaha Indian Dancers & Mossy Creek Singers, Morristown, Tennessee
- Crossed Arrows, Stewartsville, Missouri
- Five Rivers, Jefferson City, Missouri
- Kanza, Atchison, Kansas
- Lone Star, Dallas, Texas
- Ma-Has-Kah, Trenton, Missouri
- Maha, Omaha, Nebraska
- Otoe, Maryville, Missouri
- Robidoux, St. Joseph, Missouri
- White Shield, Kansas City, Missouri
- Appropriation (music)
- Civilizing mission
- Constantinian shift
- Crossover music
- Cultural appropriation in the fashion industry
- Cultural diffusion
- Enculturation
- Fusion cuisine
- Half-breed
- Isolationism
- Native Americans in German popular culture
- Native American hobbyism in Germany
- Noble savage
- Post-colonial copyright crisis
- Recuperation (sociology)
- Syncretism
- Westernisation
- Xenocentrism
- A Much-Needed Primer on Cultural Appropriation by Katie J.M. Baker
- Cultural Appropriation and the Arts Review of James O. Young's work in Notre Dame Philosophical Reviews
- Declaration Of War Against Exploiters Of Lakota Spirituality
- Intellectual Property Law and Indigenous Peoples: Adapting Copyright Law to the Needs of a Global Community by Megan M. Carpenter for the Yale Human Rights and Development Journal
- No More War Bonnets at Glastonbury Music Festival from the Lakota Law Project
- Northern-sparked ‘ReMatriate’ campaign takes on cultural appropriation by Meagan Wohlberg
- Tristin Hopper: This is what actual, real-life cultural appropriation looks like
- The Violence of Cultural Appropriation - Cultural appropriation is not limited to Halloween. In the art world, an artist's so-called freedom often entails making Indigenous bodies expendable by Crystal Migwans (Anishinaabe)
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Cultural appropriation in the fashion industry