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|Publisher||St. Martin’s Press|
|Media type||Print (Hardcover)|
|You can watch a video of Tom Santopietro discussing The Godfather Effect here|
The Godfather Effect is a 2012 critically acclaimed study of the Godfather films - as well as Mario Puzo's novel - and their effect on American culture. Written by biographer Tom Santopietro, the book demonstrates how The Godfather was a turning point in American cultural consciousness. With its emphasis on proud ethnicity, The Godfather changed not just the way Italian-Americans saw themselves, but how Americans of all backgrounds viewed their individual and national self-identities, their possibilities, and attendant disappointments.
The Godfather Effect had a broader philosophical dimension, as well. As noted by Santopietro, "what Puzo delivered - brilliantly - was nothing less than a disquisition on the madness, glory, and failure of the American dream." Early in the novel, Amerigo Bonasera declares “I believe in America.” The novel then depicts a nation where Mafia and big business are two sides of the same coin: both are corrupt, tell the truth selectively, and do exactly as they wish.
This insight is bluntly stated by Michael Corleone, who recommends that Italian-Americans “must learn from the philanthropists like the Rockefellers – first you rob everybody, then you give to the poor.”
The Godfather Effect was widely reviewed, and well received by the press. The Hollywood Reporter called it "a beautiful narrative of the way pop culture shapes our self-image."
The Wall Street Journal declared that "part memoir, part devotional film essay and part reflection on the meaning of ethnicity in American life, The Godfather Effect defines how the Godfather movies, along with the 1969 Mario Puzo novel from which they were adapted, reflected the madness, glory and failure of the American dream. By exploring that dream in distinctly Italian-American terms, the movies succeeded in delivering nothing less than the Italianization of American culture. In other words, they were so cool that everyone wanted to seem a little Italian."
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