Yukon International Storytelling Festival

The Yukon International Storytelling Festival was held every Summer in Whitehorse, Yukon, generally in an outdoor setting. Cofounders of the storytelling festival were storytellers Louise Profeit-Leblanc and Anne Taylor. Profeit-Leblanc, from the Northern Tutchone Nation, was the niece of Angela Sidney CM (1902 – 1991), one the Yukon's last Tagish. Sidney had devoted her life to preserving the stories of the Tagish of Southern Yukon, Profeit-Leblanc and Taylor were motivated to found a more local venue for sharing Yukon stories when they realized that Sidney had had to travel in 1984 Toronto Festival of Storytelling to disseminate her peoples' stories to a world audience. In 1987 interested parties came together to plan the first Yukon Storytelling Festival in 1988. It later grew beyond the scope of Yukon and Canada to attract storytellers from all over the world with an emphasis on native peoples storytelling and circumpolar countries.

In 1984 Angela Sidney shared her stories at the Toronto Festival of Storytelling. Fellow storytellers were inspired by her to develop the Yukon International Storytelling Festival which was created in 1988.First decade. The first edition in 1988 proposed storytellers from 4 continents and 23 languages (including 16 native languages). In 1989 the festivals take flight and promotes attendance by schoolchildren and Jerry Alfred was one of the artists. In 1990 the festival grows. In 1991 the festival gains notoriety from a national festival reviewer and changes its name to "Yukon International Storytelling Festival". The Tagish lady who inspired the creation of the festival, Angela Sidney, died. 1992's edition experienced diplomatic problems with its scheduled Russian guests. 1993 saw record attendance and box office sales. 1994 the festival experienced severe financial losses due to a windstorm that nearly destroyed the festival tents and caused the festival to relocate. In 1995 the festival was scaled down in order to recoup past financial losses, and produced a surplus for the first time. In 1996 the festival grew once more and saw its second best attendance. The 10th anniversary edition in 1997 experienced its best attendance yet and interest from the Canada Council finally started happening.

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