Weapon dance

The weapon dance employs weapons—or stylized versions of weapons—traditionally used in combat in order to simulate, recall, or reenact combat or the moves of combat in the form of dance, usually for some ceremonial purpose. Such dancing is quite common to folk ritual in many parts of the world. Weapon dancing is certainly ancient; among the earliest historical references we have are those that refer to the pyrrhic, a weapon dance in ancient Sparta, in which the dance was used as a kind of ritual training for battle.

There are virtually no parts of the world left where the weapon dance is directly connected with imminent or recent combat. This is especially true of European states, which have long since moved away from the tribalism that usually gives rise to such folk dances. It is, however, also true of parts of the world where tribal traditions have succumbed to colonialism and the forces of globalism. The dances that one sees today are often part of general movements to preserve and rejuvenate tribal or local traditions. Some of these movements are quite strong now, such as those among native North American tribes and the aboriginal peoples of Australia.

Related to weapon dances and war dances is the dance of the hunt. A very early reference to a weapon dance of the hunt comes in the form of a rock engraving at Çatal Höyük, the large neolithic settlement in south-central Anatolia. It depicts a hunting ritual involving dancers holding their bows; one figure has a bow in each hand, two perform artistic leaps and another holds a horn-shaped stick and is striking a frame drum.

In the modern world, dance has come to be regarded as something one does for recreation, thus distancing dance from the important place it has held in many human cultures throughout history—that is, a method of expression, preservation and transmission of the culture and history of a people. Many of the activities that humans have engaged in for millennia (religion and courtship, for example) have traditionally found expression in various kinds of dance. Another activity—combat—has obviously been central to the life of most human cultures; thus, one expects to find dances that celebrate skill in the use of weapons. Indeed, there is a wide range of such weapon dances in the world; they vary from general displays of prowess in the use of weapons to reenactments of real episodes of combat specific to a given culture.

...
Wikipedia