The Musician's Guide to Polyrhythms
| Author | Peter Magadini |
|---|---|
| Original title | The Musician's Guide To Polyrhythms Vol. I & II |
| Language | English |
| Subject | A Study of Polyrhythms for Musicians |
| Genre | Music Textbook |
| Publisher | Try Publishing, Hal Leonard Publishing Corporation |
|
Publication date
|
1993 / 2001 |
| Media type | Print, paperback and digital |
| Pages | 66 pp |
| ISBN |
The Musician's Guide To Polyrhythms is a study guide by American author, drummer and percussionist Peter Magadini. Musician's Guide to Polyrhythms Vol. I was written in 1967 and published in 1968. Musician;s Guide to Polyrhythms Vol. II was written in 1970 and published in 1971 and was (at the time) a continuation of Vol. l. The first publisher (Try Publishing, Hollywood, Ca.) published both volumes separately. These volumes have since been combined into one single volume called Polyrhythms: The Musicians Guide and is now published by Hal Leonard Publishing Corporation.
Both books were written after Peter had studied with North Indian Tabla Drum Master, Mahapurush Misra, who was teaching and playing with Usted Ali Akbar Khan in a summer program of North Indian Classical Music at the University of California, Berkeley campus in 1966. Realizing the need for a pedagogical system of study for musicians using the “western” system of notation; Magadini re-configured the concepts and coined the phrase “time ratios”, which describes the mathematical ratios of polymeters as they relate to each other. Magadini also introduced in these volumes a new way to write “Polyrhythmic Time Signatures”. Both volumes deal with polymeters and polyrhythms, and are presented, in a step-by-step manner, through exercises and etudes that progress from easy to difficult.
Gunther Schuller of the New England Conservatory called Musicians Guide to Polyrhythms "... a very important contribution".
In 1993, Modern Drummer Magazine ranked Polyrhythms The Musician's Guide as #6 in its survey of "the 25 Greatest Drum books".
A review in the Percussion Arts Society's Percussion Notes lauded the book's organization and the "articulate and easily understood" explanations of the various polyrhythms.
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