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The Confidence-Man

The Confidence-Man
Confidence Man 1857 First Edition Title Page.jpg
First edition title page
Author Herman Melville
Country United States
Language English
Genre Satire
Published 1857 (Dix, Edwards & Co.)
Media type Print
Preceded by The Piazza Tales
Followed by Battle-Pieces and Aspects of the War

The Confidence-Man: His Masquerade is the ninth book and final novel by American writer Herman Melville, first published in New York in 1857. The book was published on April 1, the exact day of the novel's setting. The Confidence-Man portrays a Canterbury Tales–style group of steamboat passengers whose interlocking stories are told as they travel down the Mississippi River toward New Orleans. Scholar Robert Milder notes: "Long mistaken for a flawed novel, the book is now admired as a masterpiece of irony and control, though it continues to resist interpretive consensus." After the novel's publication, Melville turned from professional writing and became a professional lecturer, mainly addressing his worldwide travels, and later for nineteen years a federal government employee.

The novel's title refers to its central character, an ambiguous figure who sneaks aboard a Mississippi steamboat on April Fool's Day. This stranger attempts to test the confidence of the passengers, whose varied reactions constitute the bulk of the text. Each person including the reader is forced to confront that in which he places his trust.

The Confidence-Man uses the Mississippi River as a metaphor for those broader aspects of American and human identity that unify the otherwise disparate characters. Melville also employs the river's fluidity as a reflection and backdrop of the shifting identities of his "confidence man".

The novel is written as cultural satire, allegory, and metaphysical treatise, dealing with themes of sincerity, identity, morality, religiosity, economic materialism, irony, and cynicism. Many critics have placed The Confidence-Man alongside Melville's Moby-Dick and "Bartleby, the Scrivener" as a precursor to 20th-century literary preoccupations with nihilism, existentialism, and absurdism.


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