Stéphane Breton (filmmaker)
| Stéphane Breton | |
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Stéphane Breton on the Trans-Siberian Railway
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| Born | 1959 Paris, France |
| Nationality | French |
| Occupation | Filmmaker, photographer, anthropologist |
| Website | stephane-breton-films |
Stéphane Breton (born 1959) is a French filmmaker, photographer and anthropologist.
He shoots his films alone, taking care of the cinematography, the sound, and everything else himself. This allows him to get close to things and people and, most of all, to give a presence to his own gaze in his film.
Breton’s non-fiction films are produced by Serge Lalou, Les Films d'Ici.
Breton lived several years in the New Guinea Highlands, in the Indonesian province of Papua, where he did an anthropological fieldwork for many years.
There, he filmed Them and Me (Eux et moi, 63 min, 2001). Shot behind the scenes, from the point of view of a subjective camera, the film shows his ambiguous relations and negotiations with the people of this small village lost in the mountains.
His second film in New Guinea, Heaven in a Garden (Le ciel dans un jardin, 62 min, 2003), follows the last journey, reflective and nostalgic, of the ethnographer. One's gaze is attracted to the poetry of small things. It is a film about the stream of time and remembrance.
He directed A Silent Summer (Un été silencieux, 52 min, 2005), a film that takes place on the summer pastures of Kyrgyzstan, in the Tian Shan Mountains, not far from China. Through the attention it pays to ordinary moments, the film describes the solitude and arguments of shepherds living in the same tent, as well as that of the filmmaker, present but unnoticed, remote from their gazes.
He shot The Outside World (Le monde extérieur, 54 min, 2007) in the streets of Paris. This cinematic essay is a dreamlike straddling of worlds as well as a poetical and nonsensical, lilliputian ethnography. In a way, it is Them and Me in reverse: the filmmaker now turns his camera on the people who live in his "village", whom he observes through the candid eye of a fictitious, foreign friend, who is unaware of crowds and cities, and to whom he talks about the most insignificant things.
With Night Rising on Clouds (Nuages apportant la nuit, 30 min, 2007), he develops an experimental narrative using still, black-and-white pictures. It is the mysterious and eerie tale of a journey through an unknown, dark forest, with a musical score composed by Karol Beffa.
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