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Futuna Chapel

Futuna Chapel
Futuna Chapel SE.jpg
General information
Type Chapel
Location Friend St, Karori, Wellington, New Zealand
Construction started 1958
Completed 1961
Owner Friends of Futuna Trust
Design and construction
Architect John Scott
Awards and prizes

NZIA Gold Medal (1968)

NZIA 25-year award (1986)
Designated 28-May-1999
Reference no. 7446

Coordinates: 41°16′54″S 174°44′19″E / 41.2818°S 174.7387°E / -41.2818; 174.7387

NZIA Gold Medal (1968)

Futuna Chapel is a building in Wellington, New Zealand designed by the architect John Scott.

Built by the brothers of the Society of Mary, the chapel is named after the Pacific Island of Futuna on which the missionary Peter Chanel, to whom the project is dedicated, was martyred in 1841. It was awarded the New Zealand Institute of Architects gold medal in 1968 and its 25-year Award in 1986. The Historic Places Trust has placed it on its register as a Category 1 Historic Site.

The Society of Mary's Karori Centre was formed in 1948 by converting an Edwardian villa previously owned by Sidney Kirkcaldie of Kirkcaldie & Stains Ltd. In 1958 Hawke's Bay architect John Scott was approached to design the Futuna Retreat Chapel. The Chapel was built in 1961 by the brothers themselves, with the only sub-contractor being an electrician.

The building was originally located on a property at 62-66 Friend Street, Karori, Wellington. Set back from the street, the building is entered from the north-west corner. The Chapel was then situated between three existing buildings, an administration block and two accommodation blocks.

Floors are of concrete slab construction and paved with flagstones internally. The walls are a combination of in-situ concrete and concrete block. Walls have a rough plaster finish both inside and out, and concrete block walls are left exposed. The roof is of timber framed construction and was originally clad with asbestos shingles. The main roof is supported by a central timber post and braced with timber struts. The ceiling features exposed rafters and timber sarking. The triangular clerestory windows are formed of gridded clear and coloured perspex. The pews are made of concrete supports and timber benches. Also materials were local


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