Dorothy Annan
| Dorothy Annan | |
|---|---|
| Born |
Dorothy Ward 20 January 1900 Pará, Brazil |
| Died | 28 June 1983 (aged 83) Snettisham, Norfolk |
| Nationality | English |
| Education | Slade School of Fine Art |
| Known for | Painting, Mural, Pottery |
| Movement | Modernism, Cubism |
Dorothy Annan (20 January 1900 – 28 June 1983) was an English painter, potter and muralist, married to the painter and sculptor Trevor Tennant. She was born in Brazil to British parents and was educated in France and Germany. Her works were frequently shown at the Leicester Galleries in London and she had her first solo show there in 1945.
Born in 1900, Annan exhibited with the Artists' International Association, and once featured in an art show in an air-raid shelter beside work by Augustus John during World War II. Annan was married to sculptor Trevor Tennant. She died in 1983.
Annan's paintings are in many national collections, she is also known for her tile murals, many of which have been destroyed in recent decades. Only three of her major public murals are believed to survive, the largest single example, the Expanding Universe at the Bank of England, was destroyed in 1997.
In November 2011 the Department for Culture, Media and Sport (DCMS) granted Grade II listed status to Annan's murals on the front of the Fleet Building, 70 Farringdon Street, formerly the largest telephone exchange in London. English Heritage advised the DCMS that the nine ceramic tile murals, which depict pylons, cables, telegraph poles and generators, were of "historic interest" to the telecoms industry and had "relative rarity as surviving works of 1960s mural art". The listing was supported by the Twentieth Century Society and the Tiles & Architectural Ceramics Society, artist Frank Auerbach and Penelope Curtis, Director of Tate Britain.
The murals were commissioned at a cost of £300 per panel in 1960. Annan visited the Hathernware pottery in Loughborough and hand-scored her designs onto each wet clay tile, her brush marks can also be seen in the fired panels.
The building is owned by Goldman Sachs, who wish to redevelop the site and oppose the listing of the murals.
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