Cannibalism in popular culture

Cannibalism in popular culture is a recurring theme, especially within the horror genre, and has featured in a range of media that includes film, television, literature, music and video games. Examples of prominent artists who have worked with the topic of cannibalism include William Shakespeare, Bret Easton Ellis, and Herschell Gordon Lewis.

Many works in popular culture depict groups of people for whom cannibalism is a cultural norm.

Many horror films, known as cannibal films, have exploited the theme of cannibal tribes. This subgenre experienced a period of popularity through the work of Italian filmmakers in the 1970s and 1980s. These films commonly concern the discovery of cannibalistic tribes by documentary filmmakers or anthropologists. The first major film of this type was Umberto Lenzi's Il Paese del Sesso Selvaggio ("The Man from the Deep River", 1972). Later filmmakers followed, and the genre reached its peak in the cannibal boom of 1977 to 1981. The best known of these films was Ruggero Deodato's influential Cannibal Holocaust (1980). Considered one of history's most gruesome movies, Cannibal Holocaust was commonly believed to be a snuff film, and Deodato was brought to trial on suspicion of having killed his actors. Other genre films include Ultimo mondo cannibale (1977) and Cannibal Ferox (1981).

Later horror films to feature cannibal groups include The Hills Have Eyes series, with its clan of cannibalistic savages, and the cannibalistic mountain men of Wrong Turn and its sequels. The film Como Era Gostoso o Meu Francês (How Tasty Was My Little Frenchman, 1971), by Nelson Pereira dos Santos, details the alleged cannibalistic practices of the indigenous Tupinamba warrior tribe against French and Portuguese colonizers in the 16th century.

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