William Gibson
| William Gibson | |
|---|---|
Gibson promoting the French release of
Spook Country in Paris, March 17, 2008 |
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| Born | William Ford Gibson March 17, 1948 Conway, South Carolina, U.S. |
| Occupation | Novelist |
| Nationality | American, Canadian |
| Period | 1977–present |
| Genre | Speculative fiction, science fiction |
| Literary movement | Cyberpunk, steampunk, postcyberpunk |
| Notable works | Neuromancer (novel, 1984) |
| Notable awards | Nebula, Hugo, Philip K. Dick, Ditmar, Seiun (all 1985); Prix Aurora (1995) |
| Website | |
| williamgibsonbooks |
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William Ford Gibson (born March 17, 1948) is an American-Canadian speculative fiction writer and essayist widely credited with pioneering the science fiction subgenre known as cyberpunk. Beginning his writing career in the late 1970s, his early works were noir, near-future stories that explored the effects of technology, cybernetics, and computer networks on humans—a "combination of lowlife and high tech"—and helped to create an iconography for the information age before the ubiquity of the Internet in the 1990s. Gibson notably coined the term "cyberspace" in his short story "Burning Chrome" (1982) and later popularized the concept in his acclaimed debut novel Neuromancer (1984). These early works have been credited with "renovating" science fiction literature after it had fallen largely into insignificance in the 1970s.
After expanding on Neuromancer with two more novels to complete the dystopic Sprawl trilogy, Gibson collaborated with Bruce Sterling on the alternate history novel The Difference Engine (1990), which became an important work of the science fiction subgenre steampunk. In the 1990s, Gibson composed the Bridge trilogy of novels, which explored the sociological developments of near-future urban environments, postindustrial society, and late capitalism. Following the turn of the century and the events of 9/11, Gibson emerged with a string of increasingly realist novels—Pattern Recognition (2003), Spook Country (2007), and Zero History (2010)—set in a roughly contemporary world. These works saw his name reach mainstream bestseller lists for the first time. His more recent novel, The Peripheral (2014), returned to a more overt engagement with technology and recognizable science fiction concerns.
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