Vachel Lindsay
| Vachel Lindsay | |
|---|---|
Lindsay in 1913
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| Born | November 10, 1879 Springfield, Illinois, United States |
| Died | December 5, 1931 (aged 52) Springfield, Illinois, United States |
| Occupation | Poet |
Nicholas Vachel Lindsay (/ˈveɪtʃəl ˈlɪnzi/; November 10, 1879 – December 5, 1931) was an American poet. He is considered a founder of modern singing poetry, as he referred to it, in which verses are meant to be sung or chanted.
Lindsay was born in Springfield, Illinois where his father, Vachel Thomas Lindsay, worked as a medical doctor and had amassed considerable financial resources. The Lindsays lived across the street from the Illinois Executive Mansion, home of the Governor of Illinois. The location of his childhood home influenced Lindsay, and one of his poems, "", eulogizes Illinois governor John P. Altgeld, whom Lindsay admired for his courage in pardoning the anarchists involved in the Haymarket Affair, despite the strong protests of US President Grover Cleveland.
Growing up in Springfield influenced Lindsay in other ways, as evidenced in such poems as "On the Building of Springfield" and culminating in poems praising Springfield's most famous resident, Abraham Lincoln. In "", Lindsay exclaims, "Would I might rouse the Lincoln in you all!" In his 1914 poem "Abraham Lincoln Walks at Midnight (In Springfield, Illinois)", Lindsay specifically places Lincoln in Springfield, with the poem's opening:
Lindsay studied medicine at Ohio's Hiram College from 1897 to 1900, but he did not want to be a doctor; his parents were pressuring him toward medicine. Once he wrote to them that he wasn't meant to be a doctor but a painter; they wrote back saying that doctors can draw pictures in their free time. He left Hiram anyway, heading to Chicago to study at the Art Institute of Chicago from 1900 to 1903. In 1904 he left to attend the New York School of Art (now The New School) to study pen and ink. Lindsay remained interested in art for the rest of his life, drawing illustrations for some of his poetry. His art studies also probably led him to appreciate the new art form of silent film. His 1915 book The Art of the Moving Picture is generally considered the first book of film criticism, according to critic Stanley Kauffmann, discussing Lindsay in For the Love of Movies: The Story of American Film Criticism.
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