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The Reckless Moment

The Reckless Moment
The Reckless Moment.jpg
Theatrical release poster
Directed by Max Ophüls
Produced by Walter Wanger
Screenplay by
Based on Ladies Home Journal story "The Blank Wall"
by Elisabeth Sanxay Holding
Starring
Music by Hans J. Salter
Cinematography Burnett Guffey
Edited by Gene Havlick
Distributed by Columbia Pictures
Release date
  • October 17, 1949 (1949-10-17) (Premiere)
  • December 29, 1949 (1949-12-29) (United States)
Running time
82 minutes
Country United States
Language English
Budget $882,653
Box office $717,188

The Reckless Moment is a 1949 American film noir melodrama directed by Max Ophüls, produced by Walter Wanger, and released by Columbia Pictures with Burnett Guffey as cinematographer. Starring Joan Bennett and James Mason, the film is based on The Blank Wall (1947), a novel written by Elisabeth Sanxay Holding. The film The Deep End (2001) is based on the same story.

While her husband is away on business, Lucia finds the body of Darby, a slimy Los Angeles criminal, outside her house. Darby, who had been blackmailing her over his relationship with her 17 year old daughter Bea, died accidentally in a struggle with Bea. Lucia hides the body in a swamp, where it is found by the police.

Another LA criminal, handsome and smooth-talking Donnelly, then starts blackmailing Lucia over letters Bea had written to Darby. As she tries to get together the 5,000 dollars he demands, he starts falling in love with her and allows her more time. His brutal partner Nagel steps in, calling at Lucia's house to demand the money on the spot. Donnelly arrives and In a struggle Nagel is killed. The wounded Donnelly drives the body away with Lucia in pursuit, but overturns the car. As he lies dying, he gives Bea's letters to Lucia and tells her the matter is closed.

This was Mason's third U.S. film, after having appeared in director Ophüls in Caught (released February 1949) then in Vincente Minnelli's Madame Bovary (released August 1949).

The film made a loss of $565,775.

When the film was first released in 1949, the film critic for The New York Times, Bosley Crowther, praised the actors but wrote, "But it isn't all right with this picture. Although it is rather well staged, with credible location settings in Balboa and Los Angeles, it is a feeble and listless drama with a shamelessly callous attitude. The heroine gets away with folly, but we don't think this picture will."


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