The Little Minister (1934 film)
| The Little Minister | |
|---|---|
Theatrical release poster
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| Directed by | Richard Wallace |
| Produced by | Pandro S. Berman |
| Written by |
Jane Murfin Sarah Y. Mason Victor Heerman Based on the novel and play by J. M. Barrie |
| Starring | Katharine Hepburn |
| Music by | Max Steiner |
| Cinematography | Henry W. Gerrard |
| Edited by | William Hamilton |
| Distributed by | RKO Radio Pictures |
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Release date
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December 28, 1934 |
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Running time
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110 minutes |
| Country | United States |
| Language | English |
| Budget | $648,000 |
| Box office | $1,104,000 |
The Little Minister is a 1934 American drama film starring Katharine Hepburn and directed by Richard Wallace. The screenplay by Jane Murfin, Sarah Y. Mason, and Victor Heerman is based on the 1891 novel and subsequent 1897 play of the same title by J. M. Barrie. The picture was the fifth feature film adaptation of the works, following four silent film versions. The original novel was the third of the three "Thrums" novels (a town based on his home of Kirriemuir), which first brought Barrie to fame.
Set in rural 1840s Scotland, the plot focuses on labor and class issues while telling the story of Gavin Dishart, a staid cleric newly assigned to Thrums' Auld Licht church, and Babbie, a member of the nobility who disguises herself as a gypsy girl in order to interact freely with the local villagers and protect them from her guardian, Lord Rintoul, who wants to keep them under his control. Initially the conservative Dishart is appalled by the feisty girl, but he soon comes to appreciate her inner goodness. Their romantic liaison scandalizes the townspeople, and the minister's position is jeopardized until Dishart's heroism stuns and transforms the hearts of the local villagers.
Katharine Hepburn initially rejected the role of Babbie, then reconsidered, against the advice of her agent Leland Hayward, when Margaret Sullavan was offered the role. The film was budgeted at $650,000, which at the time was considered a high amount, and much of it was spent on exterior shooting in California's Sherwood Forest and Laurel Canyon and on the elaborate village set constructed on RKO Forty Acres back lot. (It later was used in a number of films, including Laurel and Hardy's Bonnie Scotland). It was RKO's most expensive film of the year and the most expensive film in which Hepburn had appeared.
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