Tannhäuser (opera)
| Tannhäuser | |
|---|---|
| Opera by Richard Wagner | |
Final scene, Bayreuth Festival 1930
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| Native title | Tannhäuser und der Sängerkrieg auf Wartburg |
| Librettist | Richard Wagner |
| Language | German |
| Premiere | 19 October 1845 Royal Theatre, Dresden |
Tannhäuser ([ˈtanhɔʏ̯zɐ]; full title Tannhäuser und der Sängerkrieg auf Wartburg, "Tannhäuser and the Minstrel's Contest at the Wartburg") is an 1845 opera in three acts, music and text by Richard Wagner, based on two German legends; Tannhäuser, the legendary medieval German Minnesänger and poet, and the tale of the Wartburg Song Contest. The story centers on the struggle between sacred and profane love, and redemption through love, a theme running through much of Wagner's mature work.
Wagner made a number of revisions of the opera throughout his life and was still unsatisfied with its format when he died. The most significant revision was made for the opera's premiere in Paris in 1861; the production there was however a failure, partly for political reasons.
The opera remains a staple of major opera house repertoire in the 21st century.
The libretto of Tannhäuser combines mythological elements characteristic of German Romantische Oper (Romantic opera) and the medieval setting typical of many French Grand Operas. Wagner brings these two together by constructing a plot involving the 14th century Minnesingers and the myth of Venus and her subterranean realm of Venusberg. Both the historical and the mythological are united in Tannhäuser's personality; although he is a historical poet composer, little is known about him other than myths that surround him. Furthermore, half of the opera takes place in a historical setting, and half takes place in the mythological Venusberg.
Wagner wove a variety of sources into the opera narrative. According to his autobiography, he was inspired by finding the story in "a Volksbuch (popular book) about the Venusberg", which he claimed "fell into his hands", although he admits knowing of the story from the Phantasus of Ludwig Tieck and E. T. A. Hoffmann's story, Der Kampf der Sänger (The Singer's Contest). Tieck's tale, which names the hero "Tannenhäuser", tells of the minstrel-knight's amorous adventures in the Venusberg, his travels to Rome as a Pilgrim, and his repudiation by the pope. To this Wagner added material from Hoffmann's story, from Serapions-Brüder (1819), describing a song contest at the Wartburg castle, a castle which featured prominently in Thuringian history. Heinrich Heine had provided Wagner with the inspiration for Der fliegende Holländer and Wagner again drew on Heine for Tannhäuser. In Heine's sardonic essay Elementargeister (Elemental spirits), there appears a poem about Tannhäuser and the lure of the grotto of Venus, published in 1837 in the third volume of Der Salon. Other possible sources include Friedrich de la Motte Fouqué's play Der Sängerkrieg auf der Wartburg and Eichendorff's Das Marmorbild (The Marble Statue, 1819).
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