Swashbuckler film

Swashbuckler films are a subgenre of the action film genre, often characterised by swordfighting and adventurous heroic characters, known as swashbucklers. Real historical events often feature prominently in the plot, morality is often clear-cut, heroic characters are clearly heroic and even villains tend to have a code of honour (although this is not always the case). There is often a damsel in distress and a romantic element.

Right from the advent of cinema, the silent era was packed with swashbucklers. The most famous of those were the films of Douglas Fairbanks, such as The Mark of Zorro, which defined the genre. The stories came from romantic costume novels, particularly those of Alexandre Dumas and Rafael Sabatini. Triumphant, thrilling music was also an important part of the formula. There were three great cycles of swashbuckler films: the Douglas Fairbanks period from 1920 to 1929; the Errol Flynn period from 1935 to 1941; and a period in the 1950s heralded by films, including Ivanhoe (1952) and The Master of Ballantrae (1953), and the popularity of the British television series The Adventures of Robin Hood (1955–1959). Richard Lester's Dumas adaptations revived the genre in the 1970s.

The term "swashbuckler" originates from boisterous fighters who carried a sword and buckler (a buckler being a small shield). "Swashbuckler" was a putdown, used to indicate a poor swordsman who covered his lack of skill with noise, bragging, and clamour. Novels, and then Hollywood, altered the word's connotation to make swashbuckler mean a loudmouthed but good braggart, and the hero of the plotline.

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