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Sprezzatura


Sprezzatura [sprettsaˈtuːra] is an Italian word originating from Baldassare Castiglione's The Book of the Courtier, where it is defined by the author as "a certain nonchalance, so as to conceal all art and make whatever one does or says appear to be without effort and almost without any thought about it". It is the ability of the courtier to display "an easy facility in accomplishing difficult actions which hides the conscious effort that went into them".Sprezzatura has also been described "as a form of defensive irony: the ability to disguise what one really desires, feels, thinks, and means or intends behind a mask of apparent reticence and nonchalance".

The word has entered the English language; the Oxford English Dictionary defines it as "studied carelessness".

Castiglione wrote The Book of the Courtier as a portrayal of an idealized courtier—one who could successfully keep the support of his ruler. The ideal courtier was supposed to be skilled in arms and in athletic events but be equally skilled in music and dancing. However, the courtier who had sprezzatura managed to make these difficult tasks look easy – and, more to the point, not appear calculating, a not-to-be-discounted asset in a milieu commonly informed by ambition, intrigue, etc. Concerning sprezzatura, Castiglione said:

I have found quite a universal rule which in this matter seems to me valid above all other, and in all human affairs whether in word or deed: and that is to avoid affectation in every way possible as though it were some rough and dangerous reef; and (to pronounce a new word perhaps) to practice in all things a certain sprezzatura [nonchalance], so as to conceal all art and make whatever is done or said appear to be without effort and almost without any thought about it.

Thus, sprezzatura was essential to becoming the ideal courtier.

Sprezzatura was a vital quality for a courtier to have. Courtiers essentially had to put on a performance for their peers and those who employed sprezzatura created the impression that they completely mastered the roles they played. A courtier's sprezzatura made him seem to be fully at ease in court and like someone who was "the total master of self, society's rules, and even physical laws, and [his sprezzatura created] the distinct impression that he [was] unable to err".


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