Special Agent (1935 film)
| Special Agent | |
|---|---|
Theatrical release poster
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| Directed by | William Keighley |
| Produced by |
Samuel Bischoff (uncredited) Martin Mooney (uncredited) |
| Written by |
Laird Doyle Abem Finkel Martin Mooney (story idea) |
| Starring |
Bette Davis George Brent Ricardo Cortez |
| Cinematography | Sidney Hickox |
| Edited by | Clarence Kolster |
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Production
company |
Warner Bros.
The Vitaphone Corp. |
| Distributed by | Warner Bros. |
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Release date
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Running time
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76 minutes |
| Country | United States |
| Language | English |
Special Agent is a 1935 American drama film directed by William Keighley and starring Bette Davis. The screenplay by Laird Doyle and Abem Finkel is based on a story by Martin Mooney.
Newspaper reporter Bill Bradford is deputized as a treasury agent by the Internal Revenue Bureau and assigned to find enough evidence to charge gangster Alexander Carston with tax evasion.
He learns that Carston's ledgers are kept in a code known only to his secretary, Julie Gardner. When she witnesses the murder of a man who double-crossed her boss, Bill begs her to quit her job, but Julie realizes she knows too much for Carston to let her go.
District Attorney Roger Quinn pressures the murdered man's partner into testifying, but Carston learns of the plan and the witness is murdered and Carston is acquitted. Julie is arrested as a material witness and decodes the books, but is kidnapped by Carston's henchmen before she can testify. Bill tricks Carston into taking him where Julie is being held, and the police trail them. A shootout follows and Julie is rescued. Her testimony sends Carston to Alcatraz, and she accepts Bill's marriage proposal.
Special Agent was one of three 1935 films co-starring Bette Davis and George Brent, who appeared on-screen together a total of thirteen times. Neither was happy with the finished product. Brent told Ruth Waterbury of Photoplay that the picture was "a poor, paltry thing, unbelievable and unconvincing." At the behest of the Warner Bros. publicity department, his comments remained unpublished.
The film was made just after the Hays Office started to enforce the Production Code. They insisted on several minor changes and wanted a scene producer Sam Bischoff felt was crucial to the plot to be cut in its entirety. The censors compromised by allowing it to remain intact but without what they considered offensive dialogue. As a result, Ricardo Cortez' lips can be seen moving but nothing is heard on the soundtrack.
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Wikipedia