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Sophie Gimbel


Sophie Gimbel (1898- November 28, 1981) was an American fashion designer for Salon Moderne of Saks Fifth Avenue. She was a leading designer for nearly 40 years and an innovator of the "New Look" that gained popularity after World War II.

Born in Houston, Texas, Sophie was the daughter of Carrie and Felix Haas. Her father died when she was four and her mother remarried a year later to John Alexander McLeay, whence the family moved to Atlanta, Georgia. As a young girl, Sophie cut her designing teeth making clothing for her dolls. She married at 19 and lived in Philadelphia with her husband. They had one son, Jay Rossbach. While she was raising her son, she was employed as a part-time stage costume designer. The couple divorced after nine years.

Sophie was hired as a stylist for Saks by Adam Gimbel, whose grandfather was the founder of department store chain Gimbels. In 1929, she was asked to take over the Salon Moderne of Saks Fifth Avenue. In her role as lead fashion designer, she often traveled to Paris to purchase clothes from designers. She married Gimbel in 1931.

Salon Moderne was not particularly successful or prestigious prior to her arrival. Gimbel designed costumes for Broadway shows to generate interest and bring in new business. She created many ready-to-wear fashions and is credited with introducing culottes (divided skirts) to the American market. Gowns designed by Gimbel were known for their simplicity, elegance, and use of expensive fabrics. She designed elegant haute couture dresses and gowns for an exclusive clientele. Gimbel designed a red coat and dress for Lady Bird Johnson to wear at Lyndon B. Johnson's 1965 inauguration.

Gimbel was a contemporary and competitor of Hattie Carnegie, whose boutique was close to Saks Fifth Avenue. Gimbel took a conservative approach to fashion, decrying vanishing hem lines and exposed flesh. In a newspaper guest column, she wrote "I believe there should be a law against short shorts. " Though she wasn't a trendsetter, her designs had a widespread appeal for their use of simple lines and subdued elegance.


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