Pippo Barzizza
| Pippo Barzizza | |
|---|---|
Pippo Barzizza with his baton
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| Background information | |
| Born |
15 May 1902 Genova, Italy |
| Origin | Italy |
| Died | 2 April 1994 (aged 91) Sanremo, Italy |
| Genres | Swing, jazz, big band |
| Occupation(s) | Composer, Arranger, Music director |
| Instruments | Violin, piano, saxophone, banjo, accordion |
| Years active | 1924–1960 |
Giuseppe Pippo Barzizza (Italian pronunciation 'pippo dʒu'zeppe bar'tsitsa; Genova, 15 May 1902 – Sanremo 4 April 1994) was an Italian composer, arranger, conductor and music director.
Giuseppe Barzizza, called Pippo, was born in Genova on 15 May 1902, and died in Sanremo on 4 April 1994. He became famous in the 1930s and '40s, at the beginning with Blue Star Orchestra and then with Orchestra Cetra. He composed songs and film soundtracks. His treatise, "Barzizza's method" was printed in 1952. His basics and exercises "are so clear that's it's enough to read this little book to overcome any doubts or hesitation!”Franco Franchi said, "Barzizza was among the first to be interested in jazz music and swing and he became for many years, together with his friend and rival Cinico Angelini, a great example for his fellows, both for his extraordinary compositions and his skills to find out new talents and songs, and for his attempt to give a modern mark to Italian music".
Pippo Barzizza was born in Genova, 15 May 1902, to Luigi and Fortunata Battaglieri. He was a child prodigy. At age six he entered the Camillo Sivori Institute to study violin and quickly passed the exam and took his first award. Pippo could hardly read words but he was already able to write a Mozart symphony "with nor a pale errors".
After attending primary and secondary schools he went to Cristoforo Colombo High School, where he studied violin at the Conservatory with professor Biasoli. He listened to his father's phonographic cylinders, creating a passion for classical and symphonic music. Followed by his uncle, he often went to the Carlo Felice Theatre, where he saw, 'from a very comfortable stage position', many representations of famous lyric operas.
He became skilled in mathematics and decided to follow mathematical studies, graduating as an engineer. Strongly supported by Biasoli, he also studied Harmony, Counterpoint, Composition, and Instruments. He emphasized the piano until about 1933, followed by the violin, banjo and the trumpet section. In the same period he played at Politeama in Genova as lead violinist. In his spare time he performed music at silent movie showings at the cinema near his home.
At 17 he stopped violin studies. After listening to Yehudi Menuhin, he was demoralized and decided to pursue conducting and composition. From 17 to 21, he performed on ships and for orchestras in Genova. His first engagement was on a luxury steamer (an early cruise ship) called Esperia, but because of his youth, the captain took him on board as a passenger. In New York he first heard jazz and swing music. Pippo copied many records, sections, and he improved his skills as an arranger. In 1922 he was discovered by Armando di Piramo and joined his orchestra at Olimpia and de Ferrari in Genova. In 1923, serving in the Italian Army in Rimini, he founded a military orchestra. On 12 April 1924, he finished his service and came to Milan to play at Cova, for Di Piramo's orchestra. A few months later Philip's brothers came to Cova, with their band, the Riviera Five. Pippo taught Sid the basics as arranger, and he gave saxophone lessons, including the pizzicato technique. In Milan he performed his first recording at Pathè, near Sempione.
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