Montaigne's tower

Montaigne's Tower is the southern tower of the Château de Montaigne, a historical monument located in the French département of Dordogne. The tower is the only vestige of the original sixteenth-century castle, since the other buildings had to be rebuilt following a fire in 1885.

The tower was renovated and redecorated to Michel de Montaigne's specifications in 1571, following his first retirement from public life. It notably contained the famous library and study in which he spent "most of his days" and the study in which the Essays were written.

In recognition of its historical and cultural significance, the tower has been classified as monument historique by the French government since 1952. It is the only one of the castle's buildings to be open to visitors today.

The tower is in fact composed of three distinct architectural elements: the central round tower, a smaller secondary tower (containing a spiral staircase), and a square corps de logis protruding from the tower. It was built in the sixteenth century in the neo-renaissance style. It abuts the barbican defending the main entrance to the castle and its courtyard, or cour d'honneur, on the side of the gate.

The round tower contains a chapel with a vaulted ceiling on the first floor, while the second floor was used as a bedroom. Conduits hidden between the first and second floor transmit sounds with good fidelity, which allowed Montaigne to hear mass without leaving his bedroom in his old age. The third floor contains a small room which served as the library in Montaigne’s time, and a square corps de logis three meters long by two and a half wide which was used as a study by Montaigne. While the corps de logis was almost entirely covered in paintings in Montaigne’s life, only traces of the seccos subsist to this day.

Scholars have long noted that the tower's physical environment influenced Montaigne's writing; Montaigne himself elaborates on the importance of the library for his writing in the third essay of the third part of the Essays. Montaigne did not simply use the books in his library for inspiration, but he was also stimulated by the paintings and maxims painted all over its walls and ceilings, as shown by the usage in the Essays of citations drawn from the room's paintings. The extent and nature of this influence remains however difficult to ascertain: while early critics may have conjectured a stylistic correspondence between the proliferating decorations and Montaigne's exuberant writing, more recent scholarship tends to insist on Montaigne's personal approach to the inspiration provided by the paintings and maxims surrounding him or on the way its physical arrangement, "a structure based on comparison and contrast," reflects Montaigne's associative reading tendencies.".

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