Life in Squares
| Life in Squares | |
|---|---|
| Genre | Drama |
| Written by | Amanda Coe |
| Directed by | Simon Kaijser |
| Composer(s) | Edmund Butt |
| Country of origin | United Kingdom |
| Original language(s) | English |
| No. of series | 1 |
| No. of episodes | 3 |
| Production | |
| Executive producer(s) |
|
| Producer(s) | Rhonda Smith |
| Location(s) |
London Charleston Farmhouse |
| Running time | 60 minutes |
| Production company(s) |
Ecosse Films Tiger Aspect Productions |
| Release | |
| Original network | |
| Picture format | 16:9 1080i |
| Audio format | Stereo |
| Original release | 27 July – 10 August 2015 |
Life in Squares is a British television mini-series that was broadcast on BBC Two from 27 July to 10 August 2015. The title comes from Dorothy Parker's witticism that the Bloomsbury Group, whose lives it portrays, had "lived in squares, painted in circles and loved in triangles".
The three-part serial centres on the close and often fraught relationship between sisters, Vanessa Bell and Virginia Woolf, and Vanessa’s sexually complicated alliance with gay artist Duncan Grant as they, and their group of like-minded friends, navigate their way through love, sex and artistic life through the first half of the 20th century.
The series was commissioned by Ben Stephenson and Lucy Richer, and produced by Ecosse Films in association with Tiger Aspect Productions. The executive producers are Lucy Bedford, Amanda Coe, Douglas Rae and Lucy Richer. Filming began in August 2014 in London and Charleston Farmhouse.
The main roles were played by:
Writing in UK newspaper The Guardian, Lucy Mangan found that, "The drama took a certain effort of will to get into. You just have to accept that you are in a world where people convened salons, and probably did say things like 'Childe Harold is a load of posturing nonsense! It can’t hold a candle to Don Juan, even if the alexandrines are forced to breaking point!'". However, having made this effort Mangan, added: "[…] it’s very, very good. From Phoebe Fox and Lydia Leonard as the loving/warring sisters Vanessa, soon-to-be-Bell, and Virginia, slightly-later-to-be-Woolf, around whose increasingly strained relationship the story essentially revolves, to the doctor in a single scene realising his patient (the painter Duncan Grant) is 'an invert', the performances are uniformly wonderful (though Ed Birch as Lytton Strachey has so far the best part and the best time). And the script – once you take that linguistic leap of faith – is glorious. 'That’s what they do,' muses Virginia as she and Vanessa ponder the proclivities of the men in their house and lives. 'Exclude us. From clubs. Schools. Orifices.' Though on the last, Vanessa comes to disagree. She marries the uninverted Clive Bell and sends her sister a letter. 'Copulation a tremendous success!' Attagirl".
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