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King Kong Appears in Edo

King Kong Appears in Edo
Kkedo.jpg
Advertisement for the film, published in the April 14, 1938 issue of Kinema Junpo
Directed by Sōya Kumagai
Written by Daijō Aoyama
Starring Eizaburo Matsumoto
Ryūnosuke Kabayama
Reizaburo Ichikawa
Reiko Mishima
Shōjirō Ogata
Sanshirō Mōri
Noboru Takashima)
Cinematography Yōzō Okuda
Distributed by Zenshō Cinema
Release date
  • March 31, 1938 (1938-03-31)
Part I
  • April 7, 1938 (1938-04-07)
Part II
Country Japan
Language Japanese

King Kong Appears in Edo (江戸に現れたキングコング Edo ni Arawareta Kingu Kongu?) was a 1938 two part silent period piece drama film set during the Edo period and produced by Zenshō Cinema. It is now considered to be a lost film.

One night Chinami (Reiko Mishima), the daughter of Hyoue Toba (Reizaburo Ichikawa), is mysteriously kidnapped. Hyoue offers a large reward for his daughter's rescue. Yuzuru Kawasaki (Noboru Takashima) and various other men employed by Hyoue set about searching for Chinami. However one of Hyoue's men, Magonojyō Gō (Eizaburo Matsumoto), doesn't partake in the search, because he was the one who had Chinami kidnapped. Magonojyō's father Senbei has a pet trained ape named "King Kong" (Ryūnosuke Kabayama) and Magonojyō used this creature to perform the kidnapping. Magonojyō has a score to settle with Hyoue because he had forced Senbei to counterfeit coins. When Senbei refused to do so, he was imprisoned by Hyoue and eventually killed. This is why Magonojyō disguised his identity and went to work for Hyoue, to get close to him in order to get revenge. Magonojyō eventually corners Hyoue and threatens him with the ape. He offers to give him the whereabouts of Chinami in exchange for the reward money. The ape then takes Hyoue to Magonojyō's secret cellar as a prisoner. The ape then goes berserk and kills Hyoue but is then fatally wounded by Hyoue's men. While all this is happening, Magonojyō leaves Edo with the reward money.

This silent period piece drama film was produced in 1938 by Zenshō Cinema. The film was broken into two parts. The first part called Edo ni Arawareta Kingu Kongu: Henge no Maki |江戸に現れたキングコング:変化の巻 (King Kong Appears in Edo: The Episode of the Monster) was released on March 31, 1938, while the second part called Edo ni Arawareta Kingu Kongu: Ōgon no Maki |江戸に現れたキングコング:黄金の巻 (King Kong Appears in Edo: The Episode of Gold) was released a week later on April 7, 1938. Both films ran 5 reels in length and premiered at the Yûrakukan theater in Asakusa, Tokyo.

Going by the plot synopsis as well as flyers promoting the film, it is believed by historians that the ape (looking more like a Yeti) is only referred to as "King Kong" in name only, and does not appear gigantic outside of promotional photos that appear on the flyers and advertisements which depict him holding Chinami in the palm of his hand and straddling buildings as he faces down Hyoue Toba's men. This along with the fact that Zensho was a typical Poverty Row studio who didn't have sound recording equipment (none of the 173 films they produced between 1936 and 1941 were talkies) leads to believe that Zensho was simply trying to capitalize on King Kong's 1938 re-issue in that country by promoting the ape as being a giant.


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