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Khutulun


Khutulun (c. 1260 – c. 1306), also known as Aigiarne,Aiyurug, Khotol Tsagaan or Ay Yaruq (literally Moonlight) was the most famous daughter of Kaidu and a niece of Kublai Khan. Her father was most pleased by her abilities, and she accompanied him on military campaigns. Marco Polo and Rashid al-Din both wrote of her.

Khutulun was born about 1260. By 1280, her father Kaidu became the most powerful ruler of Central Asia, reigning in the realms from western Mongolia to Oxus, and from the Central Siberian Plateau to India.

Marco Polo described Khutulun as a superb warrior, one who could ride into enemy ranks and snatch a captive as easily as a hawk snatches a chicken. She assisted her father in many battles, particularly against the Yuan Dynasty of her cousin the Great Khan - Kublai (r. 1260-94).

Khutulun insisted that any man who wished to marry her must defeat her in wrestling. Winning horses from competitions and the wagers of would-be suitors, it is said that she gathered a herd numbering the ten thousand.

Sources vary about her husband's identity. Some chronicles say her husband was a handsome man who failed to assassinate her father and was taken prisoner; others refer to him as Kaidu's companion from the Choros clan. Rashid al-Din wrote that Khutulun fell in love with Ghazan, Mongol ruler in Persia.

Of all Kaidu's children, Khutulun was the favorite, and the one from whom he most sought advice and political support. According to some accounts, he tried to name her as his successor to the khanate before he died in 1301. However, his choice was declined due to her male relatives. When Kaidu died, Khutulun guarded his tomb with the assistance of her brother Orus. She was challenged by her other brothers including Chapar and relative Duwa because she resisted their succession. She died in 1306.

Khutulun is thought to be the basis for the character of Turandot, who has been the subject of a number of Western works. While in Mongol culture she is remembered as a famous athlete and warrior, in Western artistic adaptations she is depicted as a proud woman who finally succumbs to love.


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