Jo Riley
| Jo Riley | |
|---|---|
| Born | Josephine Riley (20th century) |
| Occupation | writer, translator, theatre actor, schoolteacher |
| Citizenship | British |
| Education | PhD |
| Alma mater | University of Cambridge |
| Subject | Chinese theatre, theatre arts |
| Notable works | Chinese Theatre and the Actor in Performance (1997) |
Josephine Riley, usually Jo Riley, is a British writer, translator, theatre actor, and schoolteacher. Dr. Riley has written and translated several books about theatre arts, especially Chinese theatre. She currently teaches film and drama at Munich International School in Germany.
Riley reads, writes, and speaks Mandarin Chinese, and is better known for having in the early 1980s widely traveled in China and learned to act in the Chinese theatre as one of the first foreign students at the Central Academy of Drama in Beijing, eventually writing Chinese Theatre and the Actor in Performance (1997, Cambridge University Press), a reference book that "gives an 'inside' view of Chinese theatre and the actor in performance for the first time [...] from her personal observations of, and dialogue with, Chinese actors and her first-hand experiences of the theatre world of China in general, none of which was possible before 1980." She also made the first English translation of The Other Shore by Nobel Laureate in Literature playwright Gao Xingjian.
Jo Riley graduated from the University of Cambridge. After working for a number of small touring companies, she went to Asia to explore a different kind of theatre. In the early 1980s, after learning Mandarin Chinese, she was one of the first foreign students at the Central Academy of Drama in Beijing, where she learned to act in the Chinese theatre (example pictured at right).
She has since then helped teach and direct traditional Chinese theatre in Salzburg, Mainz, and Bayreuth. She's also been at intercultural workshops with Cardiff Laboratory Theatre and Pan Projects at Goldsmiths College, London. In addition, she has written articles and books on Chinese theatre, especially Chinese Theatre and the Actor in Performance (1997, see Works section), and has edited or translated several plays or books on European and intercultural theatre.
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