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Imagined community


An imagined community is a concept coined by Benedict Anderson to analyze nationalism. Anderson depicts a nation as a socially constructed community, imagined by the people who perceive themselves as part of that group.

Anderson's book, Imagined Communities, in which he explains the concept in depth, was first published in 1983, and reissued with additional chapters in 1991 and a further revised version in 2006.

The media also creates imagined communities, through usually targeting a mass audience or generalizing and addressing citizens as the public. Another way that the media can create imagined communities is through the use of images. The media can perpetuate stereotypes through certain images and vernacular. By showing certain images, the audience will choose which image they relate to the most, furthering the relationship to that imagined community.

According to Anderson, creation of imagined communities became possible because of "print capitalism". Capitalist entrepreneurs printed their books and media in the vernacular (instead of exclusive script languages, such as Latin) in order to maximize circulation. As a result, readers speaking various local dialects became able to understand each other, and a common discourse emerged. Anderson argued that the first European nation-states were thus formed around their "national print-languages."

According to Anderson's theory of imagined communities, the main causes of nationalism are the declining importance of privileged access to particular script languages (such as Latin) because of mass vernacular literacy; the movement to abolish the ideas of rule by divine right and hereditary monarchy; and the emergence of printing press capitalism ("the convergence of capitalism and print technology... standardization of national calendars, clocks and language was embodied in books and the publication of daily newspapers")—all phenomena occurring with the start of the Industrial Revolution.

While attempting to define nationalism, Anderson identifies three paradoxes:

"(1) The objective modernity of nations to the historians’ eyes vs. their subjective antiquity in the eyes of nationalists. (2) The formal universality of nationality as a socio-cultural concept [and] (3) the ‘political’ power of such nationalisms vs. their philosophical poverty and even incoherence."


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