Frank Tashlin
| Frank Tashlin | |
|---|---|
| Born |
Francis Fredrick von Taschlein February 19, 1913 Weehawken, New Jersey |
| Died | May 5, 1972 (aged 59) Los Angeles, California |
| Occupation | Animator, screenwriter, film director |
| Years active | 1930–1969 |
| Spouse(s) | Mary Costa (m. 1953–66) |
Frank Tashlin (February 19, 1913 – May 5, 1972), born Francis Fredrick von Taschlein, was an American animator, screenwriter, and film director. He was also known as Tish Tash and Frank Tash.
Tashlin drifted from job to job after dropping out of high school in New Jersey at age 13. In 1930, he started working for Paul Terry as a cartoonist on the Aesop's Film Fables cartoon series, then worked briefly for Amadee J. Van Beuren, but he was just as much a drifter in his animation career as he had been as a teenager. Tashlin joined Leon Schlesinger's cartoon studio at Warner Bros. as an animator in 1933, where he was noted as a fast animator. He used his free time to start his own comic strip in 1934 called Van Boring, inspired by former boss Van Beuren, which ran for three years. He signed his comic strip "Tish Tash," and used the same name for his cartoon credits (at the time it was considered extremely unprofessional to use anything except one's birth name among animators, but Tashlin was able to get away with this due to the anti-Germanic feelings of that era). Tashlin was fired from the studio when he refused to give Schlesinger a cut of his comic strip revenues. He joined the Ub Iwerks studio in 1934. He moved to Hal Roach's studio in 1935 as a writer.
He returned to Schlesinger in 1936 as an animation director, where his diverse interest and knowledge of the industry brought a new understanding of camerawork to the Warners directors."He used all different kinds of camera angles, montages, and pan shots,vertical and horizontal." He directed 16 or 17 shorts from 1936 to 1938. He was making 150 dollars a week. At one point he had an argument with studio manager Henry Binder and resigned. In 1938, he worked for Disney in the story department. He only made 50 dollars a week.
Afterward, he served as production manager at Columbia Pictures' Screen Gems animation studio in 1941. He effectively ran the studio and hired many former Disney staffers who had left as a result of the Disney animators' strike. He launched The Fox and the Crow series, one of the better products of the studio. He was fired over an argument with the executives of Columbia.
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