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Famo


Famo is a type of music from Lesotho in Africa consisting of singing accompanied by the accordion, a drum and occasionally a bass. It originated in the drinking dens of migrant workers from Lesotho trying to relax after working in the mines in the 1920s but is now a popular form of music for Sesotho speakers.

As a very popular form of music in Lesotho,famo consists of male or female singing and ululations. Instrumental support comes from an accordion, a drum and a bass. Songs often refer to urban life, and female singers can use their singing to challenge their male counterparts.

The introduction of Basotho migrant labour from Lesotho into South African mines in the 1920s led to the development of famo. It originated in the setolotolo bow songs that the menfolk would sing as they walked along, alternating between the bow to fill in the chorus and the voice as the lead part. With the introduction of European instruments, the korosetina (concertina) and koriana (accordion) were adopted. The concertina was initially favoured as it could be played whilst singing and was easily carried but the accordion was eventually favoured for its bigger sound which was better for dancing.

The music and singing combination of famo was performed in the shebeens where the workers drank and chatted and also down in the mines whilst they toiled. The name famo came from the phrase ho re famo, to flare the nostrils or to throw up one's garments. The dancing girls who had followed the men to South Africa and entertained them in the shebeens perfected a dance with their short skirts that allowed them to artfully flick up the skirt, exposing their naked rear. The performers were careful not to wear underwear.

In 1963 reforms to South African regulations meant the repatriation of thousands of women and famo performers and shebeen danceers were forced back to Lesotho. This encouraged the creation of ensembles that were rounded out by a drummer. The moropa drum they used was a 20-litre tar can topped by a piece of inner tube as the drumhead, with manyenenyene, metal bottle tops or jangles, to provide a jingling alternative to the thump of the drum. The drumsticks themselves were made from slices of tire.


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