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Eloise Kruger

Eloise Andrews Kruger
Born 1914
Died 1995
Nationality American
Occupation Miniature collector

Eloise Andrews Kruger (1914–1995) was an American miniature collector from Lincoln, Nebraska who was known for her collection of historically-accurate American miniatures.

Kruger was born in Lincoln, Nebraska on June 26, 1914 as the eldest of Vernon and Luella Dierks Andrews's four daughters. Her cousin, Carl Rohman, acclaimed supporter of the Sheldon Memorial Art Gallery, remembers her being a very confident young woman. Prior to the Depression, she was exposed to a high level of living. She was a passionate reader, especially on the subjects of interior design and miniature collecting.
She graduated from Lincoln High in 1932 and enrolled at the University of Nebraska. She only attended until 1934 because she wanted to help support her mother and sisters after her father abandoned the family for another woman. She lived with her aunt and uncle to help her three sisters pay for college, all of whom graduated.
She married Carl Kruger in 1939, and soon after became interested in miniature figures.

She worked as a secretary, then was quickly promoted to executive secretary. Lee Syndicate hired her as an accountant, despite her lack of knowledge in the area. After buying books and studying she became adept at the trade.
During World War II, when most men were drafted, she was given war-time orders to hire and train women. Eventually she ran an all-woman accounting office until the war ended.
Even once her collection started, she still worked these jobs and helped her husband manage Paramount Laundry.
She was interested in sketching plans; she drew the house her mother built at 1935 Dakota Street.
Her accounting job allowed her to travel a lot. Her cousin, Carl (Ky), claimed that she would find many pieces for her collection on these trips.

"When she undertook something she did it right. She studied and studied until she got it right" attested Carl Rohman, Jr.
She began collecting in the 1930s. The height of her collecting took place in the 1970s and 1980s. She became a published author in Miniature Magazine, commissioned outstanding miniature makers to create models from the American Neoclassical era, and reached out to collectors all over the country.
After assessing the number of American Neoclassical, American colonial and Victorian pieces that she commissioned, it can be assumed those were her favorite eras. Her attention to detail was remarkable, as well as her records, documentation, and effort to learn as much about the eras as possible.


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