Du Fu

Du Fu
There are no contemporaneous portraits of Du Fu; this is a later artist's impression.
Born	712
Died	770 (aged 57–58)
Occupation	Poet

Du Fu
"Du Fu" in Chinese characters
Chinese	杜甫
Transcriptions Standard Mandarin Hanyu Pinyin Dù Fǔ Gwoyeu Romatzyh Duh Fuu Wade–Giles Tu4 Fu3 IPA [tû fù] Wu Suzhounese Dôu Fù Yue: Cantonese Yale Romanization Douh Fú Jyutping Dou6 Fu2 Southern Min Hokkien POJ Tō͘ Hú Tâi-lô Tōo Hú

Du Fu (Wade–Giles: Tu Fu; Chinese: 杜甫; 712 – 770) was a prominent Chinese poet of the Tang dynasty. Along with Li Bai (Li Po), he is frequently called the greatest of the Chinese poets. His greatest ambition was to serve his country as a successful civil servant, but he proved unable to make the necessary accommodations. His life, like the whole country, was devastated by the An Lushan Rebellion of 755, and his last 15 years were a time of almost constant unrest.

Although initially he was little-known to other writers, his works came to be hugely influential in both Chinese and Japanese literary culture. Of his poetic writing, nearly fifteen hundred poems have been preserved over the ages. He has been called the "Poet-Historian" and the "Poet-Sage" by Chinese critics, while the range of his work has allowed him to be introduced to Western readers as "the Chinese Virgil, Horace, Ovid, Shakespeare, Milton, Burns, Wordsworth, Béranger, Hugo or Baudelaire".

Traditional Chinese literary criticism emphasized the life of the author when interpreting a work, a practice which Burton Watson attributes to "the close links that traditional Chinese thought posits between art and morality". Since many of Du Fu's poems feature morality and history, this practice is particularly important. Another reason, identified by the Chinese historian William Hung, is that Chinese poems are typically concise, omitting context that might be relevant, but which an informed contemporary could be assumed to know. For modern Western readers, "The less accurately we know the time, the place and the circumstances in the background, the more liable we are to imagine it incorrectly, and the result will be that we either misunderstand the poem or fail to understand it altogether".Stephen Owen suggests a third factor particular to Du Fu, arguing that the variety of the poet's work required consideration of his whole life, rather than the "reductive" categorizations used for more limited poets.