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Conspiracy (2001 film)

Conspiracy
Conspiracy-film.jpg
Directed by Frank Pierson
Produced by Nick Gillott
Frank Pierson
Written by Loring Mandel
Starring Kenneth Branagh
Stanley Tucci
Colin Firth
Ian McNeice
Kevin McNally
David Threlfall
Production
company
Distributed by HBO
Release date
  • 19 May 2001 (2001-05-19)
Running time
96 min.
Country United Kingdom
United States.
Language English
German

Conspiracy is a BBC/HBO television film which dramatizes the 1942 Wannsee Conference. The film delves into the psychology of Nazi officials involved in the "Final Solution of the Jewish Question" during World War II.

The movie was written by Loring Mandel, directed by Frank Pierson, and starred an ensemble cast, including Colin Firth, David Threlfall, Kenneth Branagh as Reinhard Heydrich and Stanley Tucci as Adolf Eichmann. Branagh won an Emmy Award for Best Actor, and Tucci was awarded a Golden Globe for his supporting role as Eichmann.

A meeting is held in order to determine the method by which the Nazi government is to implement Adolf Hitler's policy — that the German sphere of influence should be free of Jews, including those in the occupied territories of Poland, Latvia, Estonia, Czechoslovakia and France. As the film opens, various officials from different German agencies arrive and mingle at a lakeside villa in Wannsee. Among those present:

It is quickly established by those present that there is a significant "Jewish problem", in that the Jews of Europe cannot be efficiently contained, nor can they be forced onto other countries. Kritzinger interrupts at several points to opine that the meeting is pointless, given that the Jewish Question had previously been settled, but Heydrich promises to revisit his concerns. A discussion follows of the possibilities of sterilization, and of the exemptions for mixed race Jews who have one or more non-Jewish grandparents. At this point, Stuckart loses his temper and insists that a sturdy legal framework is paramount, and that ad hoc application of standards will lead to administrative chaos. He also chides Klopfer for his simplistic portrayal of Jews as subhuman beasts, simultaneously painting his own picture of Jews as clever, manipulative, and untrustworthy.


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