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Christiane F. – Wir Kinder vom Bahnhof Zoo

Christiane F. – Wir Kinder vom Bahnhof Zoo
Christiane F Poster.jpg
Directed by Uli Edel
Produced by Bernd Eichinger
Hans H. Kaden
Hans Weth
Written by Herman Weigel
Kai Hermann
Horst Rieck
Starring Natja Brunckhorst
Thomas Haustein
Music by Jürgen Knieper
David Bowie
Cinematography Jürgen Jürges
Justus Pankau
Edited by Jane Seitz
Release date
1981
Running time
138 minutes
Country West Germany
Language German
Budget $2.7 million

Christiane F. – Wir Kinder vom Bahnhof Zoo is a 1981 German film directed by Uli Edel that portrays the drug scene in West Berlin in the 1970s, based on the non-fiction book of the same name written following tape recordings of teenage girl Christiane F. The movie immediately acquired cult status (which it still retains today) and features David Bowie as both himself and the soundtrack composer, which gave the movie a commercial boost.

13-year-old Christiane Felscherinow lives with her mother and little sister in a small apartment in a typical multi-story concrete social-housing building in a dull neighbourhood in the outskirts of West Berlin. She's sick and tired of living there and has a passion for singer David Bowie. She hears of Sound, a new disco in the city centre, labelled as the most modern discothèque in Europe. Although she's not old enough to get in, she dresses up in high heels and makeup, and asks a schoolfriend who hangs out there regularly to take her. At the disco, she meets Detlef, who is a little older and is in a clique where everybody experiments with various drugs; one night while running through the Europa Center they vandalize a ticket booth. The next day, Christiane takes pills and LSD, and goes to a David Bowie concert where she meets Babsi, who shares her interests, and tries heroin for the first time by snorting it. As Christiane falls in love with Detlef, she begins using heroin on a regular basis in order to be close to him, gradually becoming more and more dependant on the drug until she is a full-blown addict. After her 14th birthday, Christiane stops going home and spends more and more time at her cohorts' unkempt apartment; she is also drawn to the Bahnhof Zoo, a large railway and subway station notorious for the drug trafficking and prostitution that takes place in its underpasses and backalleys. Christiane starts giving handjobs at first, imitating Detlef, who also sells himself to male clients on a regular basis. She steals from home, sells all her possessions, and sinks to abysmal levels. In one of the crudest scenes, Christiane is jumped in a blood- and urine-soaked cubicle by an older junkie, who forces her to surrender her loaded syringe and proceeds to inject himself in the neck in front of a horrified old woman who happens to be in the lavatories too.


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