Call Her Savage
| Call Her Savage | |
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 |
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| Directed by | John Francis Dillon |
| Produced by | Sam E. Rork |
| Written by |
Tiffany Thayer (novel) Edwin J. Burke |
| Starring |
Clara Bow Gilbert Roland |
| Music by | Peter Brunelli Arthur Lange |
| Cinematography | Lee Garmes |
| Edited by | Harold D. Schuster |
| Distributed by | Fox Film Corporation |
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Release date
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Running time
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82–92 minutes |
| Country | United States |
| Language | English |
Call Her Savage (1932) is a pre-Code drama film directed by John Francis Dillon and starring Clara Bow. The film was Bow's second-to-last film role. It is also, one of the first portrayal of homosexuals on screen.
A wild young woman, Nasa Springer (Clara Bow), born and raised in Texas by well-to-do parents, rebels against her father. She is sent to school in Chicago, where her disruptive behavior marks her as a troublemaker. She marries a rich playboy, who then declares the marriage a ploy and abandons her. She is renounced by her father, who tells her he never wishes to see her again. She discovers she is pregnant and bears a child. Reduced to poverty, she moves into a boardinghouse with her infant, and struggles to pay for the baby's basic needs. Unaware that her grandfather in Texas has died and left her a $100,000 fortune, a desperate Nasa dresses up as a prostitute and goes out in the neighborhood hoping to earn some quick cash to purchase medicine for her child. While she is out, a drunken lout at the boardinghouse drops a match and accidentally sets the building on fire. Nasa's infant is killed in the blaze.
Upon learning that her mother is dying, she hurries home to Texas. There she learns that she is a so-called "half-breed", half white and half Indian. The assertion is made that this explains why she had always been "untameable and wild." This knowledge of her lineage would supposedly allow her the possibility for happiness in the arms of a handsome young Indian, named Moonglow (Gilbert Roland), a longtime friend who has secretly loved her.
The film was restored in 2012 by the Museum of Modern Art and premiered at the third annual Turner Classic Movies Film Festival in Hollywood.
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Wikipedia