*** Welcome to piglix ***

Bicycle Thieves

Bicycle Thieves
Ladri3.jpg
Italian theatrical release poster
Directed by Vittorio De Sica
Produced by P.D.S.: Produzioni De Sica (with finance from Ercole Graziadei, Sergio Bernardi, Count Cicogna)
Screenplay by Vittorio De Sica
Cesare Zavattini
Suso Cecchi d'Amico
Gerardo Guerrieri
Oreste Biancoli
Adolfo Franci
Story by Luigi Bartolini
Starring
Music by Alessandro Cicognini
Cinematography Carlo Montuori
Edited by Eraldo Da Roma
Distributed by Ente Nazionale Industrie
Cinematografiche
Joseph Burstyn & Arthur Mayer (US)
Release date
  • 24 November 1948 (1948-11-24) (Italy)
  • 12 December 1949 (1949-12-12) (U.S.)
Running time
93 minutes
Country Italy
Language Italian
Budget $81,000 or $133,000
Box office $371,111 (domestic gross)

Bicycle Thieves (Italian: Ladri di biciclette; sometimes known in the United States as The Bicycle Thief) is a 1948 Italian film directed by Vittorio De Sica. The film follows the story of a poor father searching post-World War II Rome for his stolen bicycle, without which he will lose the job which was to be the salvation of his young family.

Adapted for the screen by Cesare Zavattini from a novel by Luigi Bartolini, and starring Lamberto Maggiorani as the desperate father and Enzo Staiola as his plucky young son, Bicycle Thieves is widely regarded as a masterpiece of Italian neorealism. It received an Academy Honorary Award in 1950 and, just four years after its release, was deemed the greatest film of all time by Sight & Sound magazine's poll of filmmakers and critics; fifty years later the same poll ranked it sixth among greatest-ever films. It is also one of the top ten among the British Film Institute's list of films you should see by the age of 14.

In the post-World War II Val Melaina neighbourhood of Rome, Antonio Ricci (Lamberto Maggiorani) is desperate for work to support his wife Maria (Lianella Carell), his son Bruno (Enzo Staiola), and his small baby. He is offered a position posting advertising bills, but tells Maria that he cannot accept because the job requires a bicycle. Maria resolutely strips the bed of her dowry bedsheets—​​prized possessions for a poor family—​​and takes them to the pawn shop, where they bring enough to redeem Antonio's pawned bicycle. (A memorable shot shows the sheets being added to a mountain of bedding pawned by other families.) They cycle home—​​Maria on the crossbar—​​rejoicing in their good fortune. Along the way, Maria insists that she has to visit someone. Antonio discovers that it is a seer who had prophesied that Antonio would find work; Maria gives the seer money in appreciation of her prophecy. Antonio is derisive of Maria's faith in the seer, and teases her about spending money on such foolishness.


...
Wikipedia

...