Beyond Tomorrow (film)
| Beyond Tomorrow | |
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Theatrical release poster
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| Directed by | A. Edward Sutherland |
| Produced by | Lee Garmes |
| Written by | Screen Play by Adele Comandini (associate producer) Original Story by Mildred Cram and Adele Comandini |
| Starring |
Charles Winninger Richard Carlson Maria Ouspenskaya Jean Parker Helen Vinson C. Aubrey Smith Harry Carey |
| Music by | Frank Tours |
| Cinematography | Lester White, A.S.C. |
| Edited by | Otto Ludwig |
| Distributed by | RKO Radio Pictures |
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Release date
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Running time
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84 minutes |
| Country | United States |
| Language | English |
Beyond Tomorrow (also known as And So Goodbye) is a 1940 American fantasy film directed by A. Edward Sutherland and produced by noted cinematographer Lee Garmes; Garmes was one of a handful of cinematographers who became film producers.
Structured as a B film, the production did not engage any stars who would receive billing above the title, relying instead on a quartet of veteran characters actors, Charles Winninger, Maria Ouspenskaya, C. Aubrey Smith and Harry Carey, second-tier young leads Richard Carlson and Jean Parker as well as "other woman" Helen Vinson, a minor lead/second lead during early and mid thirties, here approaching the end of her career. All seven actors received a "Featuring" billing after the title. The remaining supporting cast included Rod La Rocque, a top leading man of the silent era, now reduced to playing minor supporting roles.
Because the events of the plot take place during the Christmas season, it is a contemporary but little-remembered example of the Christmas film. The original print has been digitally remastered and preserved by the National Film Museum, Incorporated.
Engineers George Melton (Harry Carey) and Allan Chadwick (C. Aubrey Smith) work furiously to complete a design on time, even though it is Christmas Eve. Michael O'Brien (Charles Winninger), the third partner in the firm, arrives with presents for all and kindly lets their employees leave. The three old men then go home to the mansion they share with Madame Tanya (Maria Ouspenskaya), an elderly countess dispossessed by the Russian Revolution, for a dinner with prestigious guests.
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