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Basil Twist

Basil Twist
Born San Francisco, California
Residence New York City, New York
Occupation Director, puppeteer
Website basiltwist.com

Basil Twist is a New York City-based puppeteer who is best known for his underwater puppet show, "Symphonie Fantastique". He was named a MacArthur genius grant recipient on September 29, 2015.

Originally from San Francisco, Basil Twist is a third generation puppeteer. He graduated from the École Supérieure Nationale des Arts de la Marionnette in Charleville-Mézières, France. He is founder and director of the Dream Music Puppetry Program at Here Arts Center in NYC, which supports and produces new puppet artists. He was a Fall 2015 MacArthur Fellow at the NYU Center for Ballet and the Arts.

Twist has significantly contributed to the art of puppetry since 1998. He creates puppet works focused on their integration with music. His "Symphonie Fantastique", is performed to the symphony of the same name. Twist's version of "Master Peter's Puppet Show" was created with the Eos Orchestra and later performed with the Los Angeles Philharmonic Orchestra. Twist's "Dogugaeshi" features original shamisen compositions created and performed live by master musician Yumiko Tanaka. He also directed and designed Humperdinck's opera, Hansel and Gretel, for the Houston Grand Opera and the Atlanta Opera. In 2010, Twist created the puppetry for the Broadway productions of The Pee-wee Herman Show and The Addams Family. Twist is known for his original adult puppet mediums and use of abstraction in puppetry. "Symphonie Fantastique" takes place in a tank of water. In "Red Beads", his collaboration with Lee Breuer and Mabou Mines, he created wind puppetry. In "Dogugaeshi" he uses the Japanese art form of sliding screens.

Other works include La Bella Dormente nel Bosco, Petrushka, Hansel and Gretel, Master Peter's Puppet Show, the Araneidae Show, Behind the Lid, and Arias with a Twist, among others. He has collaborated with such artists as Joey Arias, Lee Breuer, Pilobolus, Paula Vogel and Joe Goode.


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