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Anatomy of a Murder

Anatomy of a Murder
AnatomyMurder2.jpg
Theatrical release poster by Saul Bass
Directed by Otto Preminger
Produced by Otto Preminger
Screenplay by Wendell Mayes
Based on Anatomy of a Murder (novel) by John D. Voelker
Starring James Stewart
Lee Remick
Ben Gazzara
Arthur O'Connell
George C. Scott
Music by Duke Ellington
Cinematography Sam Leavitt
Edited by Louis R. Loeffler
Production
company
Carlyle Productions
Distributed by Columbia Pictures
Release date
  • July 1, 1959 (1959-07-01) (US)
Running time
160 minutes
Country United States
Language English
Box office $11,000,000
Anatomy of a Murder
Ellingtonmurder105.jpg
Soundtrack album by Duke Ellington
Released 1959
Recorded May 29 and June 1–2, 1959
Radio Recorders, Los Angeles
Genre Jazz
Label Columbia
CS 8166
Duke Ellington chronology
Side by Side
(1959)
Anatomy of a Murder
(1959)
Live at the Blue Note
(1959)
Professional ratings
Review scores
Source Rating
AllMusic 3/5 stars
The Rolling Stone Jazz Record Guide 4/5 stars

Anatomy of a Murder is a 1959 American courtroom crime drama film directed by Otto Preminger and adapted by Wendell Mayes from the best-selling novel of the same name written by Michigan Supreme Court Justice John D. Voelker under the pen name Robert Traver. Voelker based the novel on a 1952 murder case in which he was the defense attorney.

The film stars James Stewart, Lee Remick, Ben Gazzara, Eve Arden, George C. Scott, Arthur O'Connell, Kathryn Grant, Brooks West (Arden's husband), Orson Bean, and Murray Hamilton. The judge was played by Joseph N. Welch, a real-life lawyer famous for berating Joseph McCarthy during the Army-McCarthy Hearings. This was one of the first mainstream Hollywood films to address sex and rape in graphic terms. It includes one of Saul Bass's most celebrated title sequences, a musical score by Duke Ellington, who also appears in the film, and has been described by a law professor as "probably the finest pure trial movie ever made".

In 2012, the film was selected for preservation in the United States National Film Registry by the Library of Congress as being "culturally, historically, or aesthetically significant".


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