Adam Gussow
| Adam Gussow | |
|---|---|
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| Background information | |
| Birth name | Adam Gussow |
| Born |
April 3, 1958 New York City, United States |
| Genres | Blues, funk |
| Occupation(s) | Professor, writer, musician, music teacher |
| Instruments | Harmonica, guitar, percussion |
| Years active | 1986–present |
| Associated acts | Satan and Adam, The Blues Doctors |
| Website | Modernbluesharmonica.com |
Adam Gussow (born April 3, 1958) is an American scholar, memoirist, and blues harmonica player. He is currently an associate professor of English and Southern Studies at the University of Mississippi in Oxford.
Gussow spent twelve years (1986–1998) working the streets of Harlem and the international club and festival circuit with Mississippi-born bluesman Sterling Magee as a duo called Satan and Adam. Along with Canadian harmonicist Carlos del Junco, Gussow was one of the first amplified blues players, in the late 1980s, to make overblows a key element of his stylistic approach, adapting Howard Levy's innovations in a way that helped usher in a new generation of overblow masters such as Jason Ricci and Chris Michalek. According to a reviewer for American Harmonica Newsletter, Gussow's playing is characterized by "[t]echnical mastery and innovative brilliance that comes along but once in a generation." When Satan and Adam were honored with a cover story in Living Blues magazine in 1996, Gussow was, according to the editor, "the first white blues musician to be so prominently spotlighted in the magazine’s 26-year history."(David Nelson (1996-09-10), Living Blues, #129)
Born in New York City, raised in suburban Congers, New York, educated at Princeton University (B.A. 1979, Ph.D. 2000) and Columbia University (M.A. 1983), Gussow is the son of Alan Gussow, an artist/environmentalist, and Joan Dye Gussow, an author, nutrition educator, and organic farmer. He has an atypical pedigree for a blues musician. In Mister Satan’s Apprentice: A Blues Memoir (1998), he credits his career to the mentorship of two older African American performers: Nat Riddles, a Bronx-born harmonica player who had worked with Odetta, Larry Johnson, and others; and Magee, a guitarist/percussionist with whom Gussow teamed up after a chance afternoon jam session on Harlem’s 125th Street. As Satan and Adam, Magee and Gussow recorded three albums during their years as a touring act: Harlem Blues (1991), which was nominated for a W. C. Handy Award as "Traditional Blues Album of the Year"; Mother Mojo (1993); and Living on the River (1996). A brief extract of Magee and Gussow performing on 125th Street was included in U2's Rattle and Hum documentary. Gussow has produced or co-produced two additional Satan and Adam albums: Word on the Street (2008) and Back in the Game (2011). In August 2010, Gussow released his first album under his own name, Kick And Stomp. Recorded in Oxford, Mississippi, it features Gussow in a one-man band setting—singing, blowing amplified harmonica, stomping on a foot drum, and clanking on a tambourine pedal.
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