Free Ads! if you are a small business with annual revenues of less than $1M - piglix.com will place your ads free of charge for up to one year! ... read more
$2,000 in free prizes! piglix.com is giving away ten (10) Meccano Erector sets, retail at $200 each, that build a motorized Ferris Wheel (or one of 22 other models) ... see details
A tignon (also spelled and pronounced tiyon) is a type of headcovering. A large piece of material tied or wrapped around the head to form a kind of turban that somewhat resembles the West African Gele. It was worn by Creole women of African descent in Louisiana beginning in the Spanish colonial period, and continuing to a lesser extent to the present day.
This headdress was the result of sumptuary laws passed in 1786 under the administration of Governor Esteban Rodriguez Miró. Called the tignon laws, they prescribed and enforced appropriate public dress for female gens de couleur in colonial society. At this time in Louisiana history, women of African descent vied with white women in beauty, dress and manners. One of their most standout physical attributes that separated them from their white female counterparts was their hair. Women of African descent would often adorn their hair with colorful jewelry, beads and other accents, demonstrating an exotic appearance which attracted the attention of white male suitors. Many of them had become the girlfriends and placées (openly kept mistresses) of white, French, and Spanish Creole men. This perceived threat to white women's relationships with French and Spanish Creole men incurred the jealousy and anger of their wives, mothers, sisters, daughters and fiancées.
With the looming threat to the social status of white women growing and the attention garnered as a result of the jewelry adorned hairstyles from women of African descent, action was required. To correct this, Governor Miró decreed that women of African descent, slave or free, should cover their hair and heads with a knotted headdress and refrain from "excessive attention to dress" to maintain class distinctions.
Historian Virginia M. Gould notes that Miró hoped the law would control women “who had become too light skinned or who dressed too elegantly, or who, in reality, competed too freely with white women for status and thus threatened the social order.”
Miró's intent of having the tignon mark inferiority had a somewhat different effect, according to historian Carolyn Long who noted: "Instead of being considered a badge of dishonor, the tignon…became a fashion statement. The bright reds, blues, and yellows of the scarves, and the imaginative wrapping techniques employed by their wearers, are said to have enhanced the beauty of the women of color."
Don't forget! that as one of our early users, you are eligible to receive the 1,000 point bonus as soon as you have created five (5) acceptable piglix.